“I wondered why I suddenly needed a manual for understanding my friend.”
In But You HaveFriends, Emilia McKenzie uses short anecdotes told in comic format to tell the story of a friendship. After frequent moves as a young child, Emilia struggled to fit in and find friends, until she met C. Their friendship blossomed into a deep connection lasting nearly 20 years, until C’s death by suicide in 2018. This memoir is McKenzie’s attempt to process the friendship, C’s death, and her grief.
Emlia and C (Charlotte) met when avoiding lunch during year 10. This friendship felt different from the beginning. Other relationships felt surface level, but C and Emilia were able to talk about deeper issues in their lives, like their emotions and mental health (even when they didn’t quite have the vocabulary to understand it). It was, “just the two of us against the world.”
Long-lasting friendships evolve over time, especially those with foundations in your adolescence. C and Emlia were separated by distance in uni, and their relationship to each other changed, but not in importance. Though only occasionally together, they still found depth in each other without judgment.
C’s mental health issues became more severe while at uni. Eventually, she was diagnosed with borderline personality disorder. After uni, from Emlia’s perspective, C’s mental health ebbs and flows, with a sharp decline in the few years preceding her death.
The book is not McKenzie’s attempt to share C’s life story or to educate anyone about mental health and suicide. It is about friendship. As C’s mental health deteriorates, Emelia makes every attempt to be there as a friend. However mental health is personal and difficult to understand from an outside perspective.
I, fortunately, have not lost a loved one to suicide, but I have had close friends and loved ones deal with severe mental health episodes. This book resonated with me. Some people who shower love onto friends with ease and no judgment are often those same people struggling to find peace for themselves.
McKenzie’s illustrations are hand-drawn with light purple shading (C’s favorite color). Emotion, emphasis, and even age are depicted through simple lines on the face or in the panel. Even the text is handwritten. It is more reminiscent of a diary than a polished published comic. It mirrors the writing, which focuses more on relationships and the emotional response, rather than a cohesive story. The effect is disarmingly intimate. And despite every attempt to appear professional at my desk at work, I felt tears in my eyes throughout the last half of the book. The story affected me more than I realized it would, and I anticipate many others will feel similarly.
But You Have Friends is a tender exploration of friendship, love, and grief. The book is published for an adult audience. It is from the point of view of an adult looking back at the journey of a friendship, and many adult readers will find resonance or parallels with their own relationships. I will be purchasing it for my high school’s collection, as I think many teens will also appreciate a touching memoir about friendship and mental health.
But You Have Friends By Emilia McKenzie Top Shelf, 2023 ISBN: 9781603095273
NFNT Age Recommendation: Adult (18+), Older Teen (16-18)
Character Representation: Borderline Personality Disorder
In Layers: a Memoir, Pénélope Bagieu, the author and illustrator of the Eisner-winning book Brazen, explores the complexities of her youth with grace and wit. As adults, it is often tempting to view our past through a lens of cynicism or jest, especially when recounting embarrassing fumbles or difficult mistakes. However Bagieu cares for her younger self with respect, and in doing so she also respects the mistakes and fumbles of her young readers.
The book opens with the story of a beloved pet cat. The story is told with wit and humor, and some tears. You can’t share stories of childhood pets without tears, but it is a strong opening to a book that explores the complex spectrum of emotions associated with relationships and moments from our youth.
I think the intended teen audience will appreciate the emotional honesty of Bagieu’s work. Some of the memoir focuses on her days as a teen or in high school, but much of it follows her life in and just after university. It explores the awkward growing pains of this time, with a sense of pride for her younger self.
The memoir is split into chapters. They might better be characterized as comic essays, each one exploring a different theme or relationship. The stories are based on diary entries from Bagieu’s youth and range from lighter moments recounting some embarrassing story from her past to darker depths related to sexual assault and broken relationships.
In a few chapters, she illustrates difficult moments from her teen years paralleled against devastatingly similar ones from her life as a young adult. Literally paralleled. The stories from high school on the left side of the page, while the ones from her 20s on the right. It is a poignant choice to connect themes that are recurring elements in the lives of many young women who may read this memoir.
The handling of sexual topics is well done. It is a sex-positive book that does not use sex as a cautionary tale but does accurately portray the ways that young adults must navigate it. In one scene a nurse at a Planned Parenthood gives Bagieu advice on sexual health. In that essay, she notes how eternally grateful she was as a teenager to get clear and honest advice about sex from an adult. At a moment that for many may be filled with shame and embarrassment, she was treated with respect and care. I believe that Bagieu holds the same level of respect and care to her younger readers in the way she discusses sex in the book.
The hand-drawn black and white illustrations are not crisp and clean. The style isn’t dissimilar from her work in Brazen. But unlike in Brazen, she took away the color and added some chaos to the lines. When we look back on the chaotic time in our own lives in the transition from teen to adult, this stylistic choice is incredibly appropriate. Black and white pictures, with harried lines, are also reminiscent of the thoughts (sometimes in words and sometimes through pictures) scribbled into the diaries of young people.
Many adults, when imparting learned wisdom to the younger generation, condescend and/or tell their stories through rose-tinted glasses of nostalgia and focus on the lessons. However, despite telling stories from 20 years ago, these essays feel fresh and relevant to today’s teens. She does not organize the chapters on passed-on lessons, rather she focuses on honest snippets of her life. The moments of struggle juxtaposed against levity are honest and refreshing.
I think it is a strong choice for collections serving teens, and I think many young people will see themselves in the pages of the book.
Layers was originally published in France in 2021, and has been translated to English by Montana Kane.
Layer A memoir Vol. By Pénélope Bagieu, Montana Kane, , Macmillan First Second, 2023 ISBN: 9781250873736
Publisher Age Rating: 14-18
NFNT Age Recommendation: Older Teen (16-18), Teen (13-16) Creator Representation: French,
Things in the Basement, written and illustrated by Ben Hatke, is a heroic journey through the depths of a basement on a quest to find a lost sock. Milo is in a new house. Well, the house isn’t new. It is old and filled with mysteries and adventure, and Milo is ready to explore in the shadow of moving boxes. However, while busy with twin infant sisters, Milo’s mother needs help finding a lost pink sock, made by his Tia Maria for his sister Lucy. He has been called for a quest, and heroes must answer the call.
Milo ventures into the basement, reluctantly peering into shadows and around corners, until he finds the sock in the mouth of a rat. When the rat disappears into a wall, Milo must follow. In his quest to find the rat and the sock, Milo uncovers unknown depths to his basement, monsters, mountains of socks, and some friends along the way.
The story is a classic hero’s journey into the underworld from the point of view of a child. It is abundantly clear that Hatke respects that point of view, and I think because of that many children will find themselves in Milo and in the story. The plot follows a child-like logic without being demeaning or using it as a punchline. The levels of the basement underworld unfold in the way pretend play with an adventurous child does, with something akin to the “yes, and…” improvisational structure. Turn the corner, embrace the unknown, and move forward bravely. Above all else, a sock must be found.
I always appreciate stories of children who waste little or no time in confusion when falling into a new magical world. There is no need to put up a pretense that this isn’t the exact type of world a boy like Milo could imagine for his basement. He befriends a large eyeball with tentacles instead of a body and a skull that talks in simple images, because why would he not. They were perfectly friendly, and as we all know, heroes need support on their quests.
Hatke’s illustrations perfectly blend the strange, dark, and unusual with enough whimsy to ease the imaginations of his young readers. Most of the book pages have monotone color palettes ranging from sepias to some blue and green. There are occasional pops of intense color for menacing green ooze and Lucy’s lost pink sock. The palette evokes the feeling of epic adventures. It also gives room for the strange details of each basement level to remain in the background, available for those interested in looking with a closer eye, but without taking attention from the story at hand.
Milo is Latino with brown skin, but overall his illustration lacks detail. He has a mop of tousled hair that obscures his eyes. The absence of great detail leaves room for children who want to see their face on Milo’s. Without eyes, we follow Milo’s emotion through his posture and movements. Hatke also has to be similarly creative with other important side characters, such as the skull and the eye, or a shepherd with a bell for a face. For young readers to have empathy for the strange and unknown, there must be some level of familiarity. Hatke accomplishes this balance of making the strange familiar through the character’s emotions, often without the ability to rely on facial expressions. It is a tightrope to walk as an illustrator, but one that Hatke clearly masters.
Things in the Basement made me smile, laugh, and feel all sorts of warm fuzzy feelings. It includes themes of friendship and kindness, but isn’t overtly didactic, and is funny without mocking. It’s a journey with child-sized epic proportions. I highly recommend it for elementary and other graphic novel collections for young and middle grade readers. I truly think children will love this story, along with those of us adults who appreciate authors who understand childhood.
Things in the Basement By Ben Hatke Macmillan First Second, 2023 ISBN: 9781250836618
Publisher Age Rating: 6-9 Series ISBNs and Order Related media:
Garvey’s Choice joins a long line of books adapted as a graphic novel. The original Garvey’s Choice is a novel in verse by Nikki Grimes. Garvey struggles to connect with his dad, who expects him to be someone who he is not. It is told in a series of poems in the Japanese Tanka style. The book which came out in 2016 has been popular with middle grade readers, for good reason. It’s a heartwarming story about finding your voice, and the poetry of Nikki Grimes is poignant and deep while using few words.. I am a huge fan of her writing, and was excited to read this book.
Garvey is a young black boy in a larger body. He loves science fiction, space, and reading, however, his father wants him to play sports. The relationship between father and son is strained. They have a difficult time relating to each other, and in general Garvey struggles with feelings of isolation and loneliness. Over the course of the book, Garvey finds his voice through music, with his friends, and eventually with his family.
The Tanka style is discussed in an author note at the end of both the original book and the graphic novel. It is a format that originated in Japan. Each poem is five lines long, with specific syllable patterns, however, Grimes does not follow the syllable counts exactly. The poetry style which focuses on mood and emotion, fits Garvey’s character arc on his journey to find himself.
Theodore Taylor III illustrates the graphic novel in a bright cartoonish style, similar to that of Jerry Craft’s New Kid. The graphic novel illustrates the characters, plot, and poetic metaphors from the original book, but doesn’t necessarily add much depth to the mood or themes. The best parts of the graphic novel are from the poetry text. And while, I do not think the illustrated format adds much to the story, I do think it is a great purchase for elementary collections, because of the illustrations. Poetry can be an intimidating format for some readers. In condensing text to verse, some context must be implied rather than stated, which can be confusing for some. By illustrating the entire text through the graphic novel format, that context is no longer implied but clearly shown, which can provide a strong scaffold for some readers.
The graphic novel text is fairly similar to Grime’s original verse. There are times that the wording of the poems is adjusted, and they switch up the order of some poems, but for the most part, the text of the graphic novel is very consistent with the book. Lines from the poems are turned into speech bubbles or as narration on the page. Some of the poems are told over the course of a two-page spread, sometimes multiple poems share the spread, but most are confined to one page. The illustrated metaphors add weight to Garvey’s emotional journey.
Notably, a large part of the novel explores Garvey’s relationship with his weight, which is also a source of contention with his dad. But Garvey isn’t illustrated with a body size that is noticeably larger than other characters. He is round, but so is everyone else. I think this is a missed opportunity for body representation.
While not perfect, I think the graphic novel Garvey’s Choice is a strong purchase for elementary collections, especially if novels in verse or books by Grimes are used in the curriculum. In such cases, this graphic novel adaptation could be a good supplement. Either way, Garvey’s Choice is an excellent book and story, whether you read it in the original format or as a graphic novel.
Garvey’s Choice Vol. By Nikki Grimes Art by Theodore Taylor III Wordsong, Astra Publishing House, 2023 ISBN: 9781662660085
Publisher Age Rating: 9-12
NFNT Age Recommendation: Middle Grade (7-11) Creator Representation: Black, Character Representation: Black,
Life is difficult and emotions get in the way, so when surgery to numb the pain and remove hearts becomes available, people are intrigued. No need to suffer through the pain and grief from loss. Everyone, it seems, signs up for the procedure. Everyone, but June. The Faint of Heart by Kerilynn Wilson is a beautifully crafted graphic novel that explores the importance of emotional connections.
June feels alone with a heart in a world without them. Her family is dismissive, she no longer has friends, and teachers chastise her for imperfection. With no heart, all emotions are numbed, not just the painful ones. No more emotional distractions to get in the way of success in school and work. Relationships lose their importance, and family life becomes cold and calculated. But once numbed, these sacrifices no longer feel relevant.
June is different, She is an artist and she cherishes her emotions. She observes her friends and family that alongside the loss of pain, also lose empathy and interpersonal connections. June becomes more and more determined, not only to keep her heart but to help those who are numbed to begin to feel again. It is more complicated than she anticipated, but with the help of a friend, who despite the loss of a heart, is beginning to experience emotions again, June goes on a mission to find the scientist who started this whole thing.
The Faint of Heart is being marketed as a YA mixture of Eternal Sunshine for the Spotless Mind and Severance. It is a well-crafted story that explores some of the same themes related to love, loss, and definitions of success or happiness. It is an analysis of our relationships with ourselves and each other. These themes may resonate with teens who face a daunting future as they navigate new and difficult emotions and relationships.
Wilson’s artwork is gorgeous. Just as our emotions bridge connections with others, wisps of fibers connect panes across some page spreads, She also expertly uses color throughout the book. Many of the illustrations are in black and white with splashes of yellow, orange, and blue to illustrate heart and emotion. As the story progresses, and the emotions begin to shift, so does the use of color. Her illustrations help to illuminate the beauty in life that would be lost without emotional connections.
This is Wilson’s debut graphic novel and hopefully is an indicator of great stories to come. The illustrations in The Faint of Heart are exquisite and beautifully capture the characters and themes from Wilson’s story. It will be purchased for my high school collection, where I am confident it will find a number of readers. With a mixture of science-fiction and a character-centered story, it will appeal to readers from a number of genres, whether or not they are new to the graphic novel format. I recommend it for graphic novel collections serving teens and older middle-grade readers.
The Faint of Heart By Kerilynn Wilson Harper Collins, 2023 ISBN: 9780063116214
Publisher Age Rating: 13 and U
NFNT Age Recommendation: Older Teen (16-18), Teen (13-16)
Ephemera, a beautifully written and illustrated graphic memoir by Briana Loewinsohn, opens with the dedication “For my mum and other things not built to last,” a perfect encapsulation of her story. Loewinsohn’s childhood was filled with plants in the place of family. She sought out connection and nourishment in the absence of a mother lost in her own struggles with mental health. It is filled with emotion, vulnerability, and rejuvenation among plants.
The story isn’t linear, rather, it is an almost poetic exploration of Loewinsohn’s childhood through the lens of her adult memories, processing the trauma from her childhood in a way that also embraces the small moments of love and beauty among plants from a mother who had little to offer. The book is split into 3 chapters, “Dirt,” “Water,” and “Light,” the ingredients for gardeners to properly nourish plants. Each chapter opens with a two page spread with the title embraced by plants thriving under the respective ingredients. It then alternates between scenes from Loewinsohn’s childhood among trees and plants with her as an adult, attempting to nurture the plants of her childhood back to health, rejuvenating the garden with knowledge she learned from her mother as a child.
Plants, flowers, and people need nourishment. Some survive in difficult conditions, and some struggle in conditions in which others thrive. The mother wilts, but Loewinsohn survives. Her mother, like many plants, is ephemeral, meant to be cherished, but not for long. It is a book of love and mourning. Of life, beauty and loss.
The pages where Loewinsohn as an adult gardens, remembering her childhood are illustrated in warm brown tones. The plants are dry and in need of nourishment, in contrast to the thriving spring like plants of her childhood. However, those childhood pages are illustrated in cold greenish blue tones. Much of her childhood in the book was alone with plants, vines and flowers filling the space left empty by a mother who wasn’t able to give her the nourishment she needed. But even if they appeared on the surface to be thriving, the cold lack of nourishment for the plants and Loewinsohn as a child, has led to pain and trauma that she attempts to explore and understand as an adult. However, with warmth and nourishment, the plants and Loewinsohn can begin to heal.
After reading a digital galley of Ephemera, I immediately pre ordered a print copy for my personal collection. I usually lean into the convenience of ebooks and audiobooks, but I desperately wanted to hold this book. It is beautiful. The publisher, Fantagraphics does the illustrations and story justice in its printing. The book is a work of art that will be cherished by many. It might not stand out on the shelves, but once held, its beauty is obvious. Ephemera is highly recommended. Adults are the intended audience, but this book may do well in high schools where memoirs or literary graphic novels are well-read.
Ephemera: A Memoir By Briana Loewinsohn Fantagraphics, 2023 ISBN: 9781683966906
NFNT Age Recommendation: Adult (18+), Older Teen (16-18)
High school is a time of transition. A time for coming of age. Relationships change. Both family and friends. Some end, others evolve, and new ones emerge. You begin to see yourself in a new light. It’s a time when many are suspended in limbo. For Deb JJ Lee, a Korean-American author and illustrator, their high school years were a time of tumultuous self-discovery. In Limbo is Lee’s graphic memoir chronicling the choppy waters of adolescent relationships and sense of self.
Lee struggles to find their place at home and at school. After emigrating from South Korea as a young child, they struggle with their identity and being other, not really Korean but not really American.
The memoir navigates relationships and emotion with great care and depth. After years of playing the violin, Lee comes to the realization that their passion is art, not music. The transition is difficult. Friends are in the orchestra and their parents invested so much time and money in lessons. This limbo between music and art is the theme throughout their freshman and sophomore year. And, as with the other themes of transition throughout the book, there are moments of dread and moments where the weight is lifted and Lee feels happiness or at least some peace. This is clearly communicated through the changing imagery in Lee’s illustrations. Their posture and facial expressions transition from feelings ranging from bored through sadness and loneliness to contentment if not happiness. During the lowest of lows, the panels fill with black smoke, drowning out everything else. But as they emerge from limbo with greater peace, the illustrations begin to shift as well. Rather than focusing on illustrations, Lee begins to find beauty in the details of every day. The pages turn into intricately drawn slice-of-life illustrations. But the peace is temporary, as they continue to navigate life transitions.
Lee’s story will be validating for many. Childhood friendships evolve and no longer seem to fit, and even new brighter friendships sometimes start to fade. These feelings are both devastating and almost universal for teenagers.
From the beginning it is also clear that the mother and child relationship is strained, another very personal and universal experience. However, as the memoir unfolds, it is clear that this mother is abusive, and that the strain in the relationship is far from universal. There are moments when the mother seems to begin to understand her child. When transitioning from music to art, Lee’s mother supports and encourages them, knowing that she must support what her child’s passions are, not what she wants them to be. However, that moment is more of an exception than a rule.
At one point in the memoir, Lee suggests that their mother avoided scrutiny from CPS because of “tiger mom” stereotypes of Asian mothers. Lee’s relationship with their family is complicated. Lee at times fears their mother, but at other times feels loved and supported. The dad is mostly sympathetic and warm but allows the abuse to continue. The complexity of the family dynamics unfold in the narrative as teenage Lee begins to unpack their trauma, a choice that invites the audience to acutely feel the betrayal.
The story will be validating for many. Lee is honest about their struggles and journey with relationships and mental health as a teen. There are no clear-cut solutions or fulfilling peace in the end, but there is therapy and the sense that they are on their way to self-acceptance.
In Limbo is not an easy book to read. The pace of this memoir is slow and deliberate. It focuses on Lee’s arc as a teen coming into themselves, rather than the events of their high school years. The content is also heavy. The book includes depression, abuse, and suicide attempts. However, for those who find their way to this memoir, it is a rewarding experience. I will highly recommend it to students who are fans of Tillie Walden, weighty memoirs, or anyone who needs reminding that the comic medium is a literary art form worthy of acclaim.
In Limbo By Deb JJ Lee Macmillan First Second, 2023 ISBN: 9781250252661
Publisher Age Rating: 14-18 NFNT Age Recommendation: Older Teen (16-18), Teen (13-16) Creator Representation: Korean-American, Nonbinary, Depression Character Representation: Korean-American, Depression
My Life Among Humans by Jed McGowan follows a lonely and misguided invading alien who tries to navigate a life hidden among humans. McGowan twists the typical alien invasion story and instead focuses on the perspective of the alien, a one-eyed bio-engineered creature with no body and 6 legs who also happens to be desperately lonely.
Alien invasions are a ubiquitous plot in popular media. These stories with strong themes of fear and suspicion are common in books, television, and film. The majority of these focus on “the other,” a manifestation of societal fears of the unknown. Even in stories where the aliens are redeemed by the end, there are usually strong undercurrents of fear and suspicion before the final resolution. That exists in My Life Among Humans, however, it is not central to the story. Instead, rather than breaking down fear, McGowan’s plot builds empathy.
I’m a sucker for redemptive arcs and misguided innocence, and well, any story that flips conventional stories. I just really loved this book. The unnamed alien has been sent to earth and assigned to study humans. It begins by sending a spore into the mind of Will, a high school boy, to observe and record his every thought, movement and emotion. Then its daily observations are sent to “the manager” who merely states, “report received.” Every day follows the same pattern until the alien is eventually asked to observe more humans, and things begin to swerve from its established plan and mission.
The alien is lonely, desperate to please (or at least not upset) its manager, and tries hard to follow its instructions – to stay hidden and merely observe. But it is curious, and lonely, and is eventually caught by Will. Desperate to fix the situation, the alien, in a panic, discovers its ability to control Will, and by extension other humans. This leads to a cascading series of unfortunate events, where the alien is left trying to pick up the pieces and cover its tracks.
McGowan’s illustrations add emotional depth to this story. At first appearance, McGowan’s visual style doesn’t match my personal preferences. His hand-drawn illustrations are reminiscent of both vintage science fiction and early computer animation, appropriately connected to the visual style of many other alien stories. The real beauty in the illustrations is his ability to capture emotion. Illustrators rely heavily on facial expressions and body language to express emotion, however, this story has unique challenges. The alien has essentially no body or face, just one eye, and tentacle-like legs. Yet, the alien’s character is developed through its emotional responses. Its loneliness, fear, innocence, and curiosity are clearly evident in every panel.
McGowan also expertly illustrates the moments his human characters lose control of their bodies. Their emotions aren’t lacking, they have been lost, a loss that is felt in the illustrations.
Upon my reread of My Life Among Humans to write this review, I fell in love again. It has emotional weight, and after each read, I walked away with a warmed heart. I recommend it for adult and teen graphic novel collections. However, I also think this could be popular with middle-grade and younger teens. The story would be appropriate for younger audiences, and the illustration style would not feel overwhelming for those who are newly introduced to the format. I will purchase (and heavily recommend) it for my high school collection. I think the initial interest will be from younger high school readers but the story has heart and poses a number of interesting philosophical questions, which will appeal to older readers as well.
My Life Among Humans By Jed McGowan Oni Press, 2023 ISBN: 9781637151990
NFNT Age Recommendation: Adult (18+), Older Teen (16-18), Teen (13-16), Tween (10-13)
“I wondered why I suddenly needed a manual for understanding my friend.”
of her youth with grace and wit. As adults, it is often tempting to view our past through a lens of cynicism or jest, especially when recounting embarrassing fumbles or difficult mistakes. However Bagieu cares for her younger self with respect, and in doing so she also respects the mistakes and fumbles of her young readers.
Things in the Basement, written and illustrated by Ben Hatke, is a heroic journey through the depths of a basement on a quest to find a lost sock. Milo is in a new house. Well, the house isn’t new. It is old and filled with mysteries and adventure, and Milo is ready to explore in the shadow of moving boxes. However, while busy with twin infant sisters, Milo’s mother needs help finding a lost pink sock, made by his Tia Maria for his sister Lucy. He has been called for a quest, and heroes must answer the call.
Grimes. Garvey struggles to connect with his dad, who expects him to be someone who he is not. It is told in a series of poems in the Japanese Tanka style. The book which came out in 2016 has been popular with middle grade readers, for good reason. It’s a heartwarming story about finding your voice, and the poetry of Nikki Grimes is poignant and deep while using few words.. I am a huge fan of her writing, and was excited to read this book.
Life is difficult and emotions get in the way, so when surgery to numb the pain and remove hearts becomes available, people are intrigued. No need to suffer through the pain and grief from loss. Everyone, it seems, signs up for the procedure. Everyone, but June. The Faint of Heart by Kerilynn Wilson is a beautifully crafted graphic novel that explores the importance of emotional connections.
Ephemera, a beautifully written and illustrated graphic memoir by Briana Loewinsohn, opens with the dedication “For my mum and other things not built to last,” a perfect encapsulation of her story. Loewinsohn’s childhood was filled with plants in the place of family. She sought out connection and nourishment in the absence of a mother lost in her own struggles with mental health. It is filled with emotion, vulnerability, and rejuvenation among plants.
High school is a time of transition. A time for coming of age. Relationships change. Both family and friends. Some end, others evolve, and new ones emerge. You begin to see yourself in a new light. It’s a time when many are suspended in limbo. For Deb JJ Lee, a Korean-American author and illustrator, their high school years were a time of tumultuous self-discovery. In Limbo is Lee’s graphic memoir chronicling the choppy waters of adolescent relationships and sense of self.
among humans. McGowan twists the typical alien invasion story and instead focuses on the perspective of the alien, a one-eyed bio-engineered creature with no body and 6 legs who also happens to be desperately lonely.
