Giovanni is the kind of painfully shy child bullies focus on. He’s intelligent, despite doubting himself, and is devoted to his homebound mother. Since his father is away and his mother too ill to work, he must support the family—which he does happily—but this means he can’t play with the other children after school. This, of course, doesn’t help his social standing. His one friend is Campanella, who is friends with absolutely everyone. After a brief meeting at the Star Festival, the two find themselves inexplicably on a train to the stars.
They’re awed by their journey through strange lands where birds taste like candy, scorpions burn brightly, and scientists excavate fossils eternally. It’s Giovanni’s first real adventure and he’s delighted with Campanella’s full attention. At each stop they meet new travelers full of purpose. Giovanni—and readers—will slowly realize that there’s a reason the boys are on the train and why he has a special ticket different from everyone else’s.
While I have not yet read the original novel, I was fascinated and followed the story easily, indicating that it made the transition to graphic novel well. This classic story has been adapted several times, including to stage and screen, so it may be of particular interest to readers who enjoy learning about Japanese literature. I’ve even been enticed to check out the novel so I can experience the journey again in another format.
The art style uses fine lines and plenty of detail to bring each stop to life during the journey. At the same time, there are often aspects of the celestial lands that don’t quite feel real. The characters sometimes seem separate from the scenery and some elements almost look like stage props. The level of care and detail elsewhere—particularly on Earth—make this seem planned, as if the other lands truly aren’t quite real or, perhaps, not something Giovanni can fully understand.
Savvy readers will quickly pick up on the twist in the story as the illustrations provide many clues, but it’s also easy to just follow Giovanni’s journey and tensely wait for his intelligence to catch up with the unexpected joy. That intense happiness is readily apparently since Kitahara’s art has a strong focus on the characters’ emotions from blatant to subtle. They’ll display a nearly comical level of exuberance on one page and be sharing a million thoughts with a tiny smile on the next.
As a small critique, the font used for the English translations doesn’t fit all the speech bubbles well, presumably because of the way the Japanese and English writing is oriented differently.
This is a coming of age tale best appreciated by younger teens as the galactic journey is also Giovanni’s road to maturity. While he’s needed to work hard and be responsible, that’s isolated him from his community and many experiences that could shape his older self. On the Galactic Railway he’ll confront the true meaning of friendship, religion, compassion, and loss while having an adventure that may jar him out of his timid life.
This lovely, quiet graphic novel is definitely recommended for library collections.
Kenji Miyazawa’s A Night on the Galactic Railway By Ayano Kitahara Tuttle, 2025 ISBN: 9784805318713
Company Age Rating: Teen Related media: Book to Comic
Up front I must admit that I have been a long-time fan of Lafcadio Hearn’s writing on Japanese folklore especially Kwaidan(1904), the final short story collection published during his life time. Through his writing, based on research, oral tales from neighbors, and tales read to him by his wife, he became the first non-Japanese author to retell the folklore for readers of the English language.
Three of the retellings in this compilation are from Hearn’s final collection of “ghostly sketches”: “Nuki-kubi,”” Riki-Baka,” and “A Dead Secret”. An earlier work, Shadowings (1900), is also represented by three tales: “Reconciliation,” “Corpse Rider,” and “Screen Maiden.” The seventh tale, “Before the Supreme Court”, is from A Japanese Miscellany (1901). Author Sean Michael Wilson states in his brief source note that he has attempted to retain Hearn’s original wording as much as possible while adapting them to the manga format and I am happy to report that he has done what he had set out to accomplish. The source notes are adequate offering basic background information about Hearn and the retellers as well as information for finding the original tales and discovering more on your own.
The illustrations are evocative and heart breaking, focusing on facial expressions and emotions of all the characters, spectral and human. The large format of the publication and the simplicity of the backgrounds and panel arrangement add to the accessibility of the tales. It also reads right to left in traditional manga format. All seven folktales are about the complex interactions between the living and dead and while they are indeed ghostly, they are not all inescapably terrifying. But rather, they are instructive in offering glimpses of the beliefs and practices of Japanese society at the time Hearn collected and retold the tales.
I am not sure which one of the retellings is my favorite. The first tale, “A Dead Secret” is primarily about the return of a mother as a ghost but the underlying layers uncover hidden truths, love stories, and preserved secrets. “The Screen Maiden” tells the passionate and alarming tale of a young man who is almost fatally obsessed with a woman in a painting. As for the painting, “The space that she had occupied upon it remained a blank.” It is followed by a much darker tale of a masterless samurai and his adventures with deadly headless goblins. The images and antics in “Nuke-kubi” of the exasperated severed heads remained vivid long after I finished reading the story. “The Corpse Rider” is equally as visual, horrific, and memorable as it tells the story of a wife’s revenge on her ex-husband. The following entry, “Riki-Babka,” while horrifying did not leave this reader with a heavy heart, a ghost story with a more satisfying outcome, so to speak, reminiscent of one of my favorite clay figures, the golem of Jewish folklore. Hearn indicated that this tale was a personal experience narrative written exactly as it happened with only the names changed. And, if you can assert a ghost story as cheerful and redeeming, the penultimate tale “Before the Supreme Court” is exactly that. The initial horror is massaged by the very sensible conclusion. The compilation is completed by the eerie story of “Reconciliation” which leaves the reader contemplating the juxtaposition of justice and remorse.
This compilation was a refreshing read and highly recommended for those who appreciate exploring folklore and the genres of horror and ghost stories.
Manga Yokai Stories: Ghostly Tales from Japan By Lafcadio Hearn Sean Michael Wilson Art by Inko Ai Takita ISBN: 9784805315668 Tuttle, 2020 Publisher Age Rating: 14+ Series ISBNS and Order
Title Details and Representation NFNT Age Recommendation: Teen (13-16) Character Traits: Japanese Buddhist Creator Highlights: Irish, Japanese Related to…: Book to Comic