Rivers of London is a supernatural horror series that I have been aware of for some time, but never had the chance to read. I recognized the name of the author, Ben Aaronovitch, from Doctor Who and recalled him as the writer of one of the best episodes of all time, “Remembrance of the Daleks.” I finally took the plunge with the graphic novel Deadly Ever After. Unfortunately, Deadly Ever After proved as big a disappointment to me as Dynamite Comics’ adaptations of the Dresden Files.
The Rivers of London series (aka the Peter Grant or PC Grant series) is set in an alternate London where magic is real and a special department called the Folly protect ordinary people from the supernatural. Most of the Rivers of London stories center around newbie wizard Peter Grant as he investigates various crimes and copes with the many gods and monsters that secretly populate London. Deadly Ever After is an entirely different story.
Deadly Ever After centers around two young river goddesses, Chelsea and Olympia, who are easily bored and would rather spend their days smoking weed and hanging out than doing whatever it is respectable goddesses are meant to spend their days doing. Their showing off to a random mortal winds up unleashing a vengeful spirit who was kidnapped by fairies centuries earlier and has returned to an unfamiliar London even more cynical than the one they left behind. This leads to the twins trying desperately to cover up their crime before their mother or the Folly get involved, as the spirit starts trying to make fairy tales come true in order to prove the power of stories and that fairies are real.
The idea of supernatural creatures reenacting fairy tales is one of the most played out tropes in modern fantasy and Deadly Ever After does nothing to change the formula. Any fan of the genre will immediately see where the story is going the minute a little girl in a red hoodie runs out of the woods screaming about something attacking her grandmother. This might be tolerable were the narration of the book not offering a metatextual commentary on the cliches, literally describing Chelsea and Olympia as “feeling like they were in their own detective comic about glamorous teen Londoners.”
The artwork is similarly lackluster. Jose Maria Beroy’s artwork is competent and they have a firm grasp of anatomy. Unfortunately, the artwork doesn’t fit the dark theme of the story, being too posed and static. The bright colors and light inks don’t help matters.
The damnable thing is that Deadly Ever After might cut the mustard as a young adult comic aimed at an audience that is less familiar with this sort of story than the average urban fantasy fan. Unfortunately, the blood and violence are intense enough and the language adult enough to make this book unsuitable for any audience younger than an OT/16+. I fear anyone old enough to handle the content is likely to find the two protagonists insufferably selfish and annoying. I may give Rivers of London another shot, but this volume gave me a very poor impression of the series.
Rivers of London, vol. 10: Deadly Ever After
By Celeste Bronfamn, Ben Aaronovitch, Andrew Cartmel,
Art by Jose Beroy
Related media: Book to Comic
NFNT Age Recommendation: Adult (18+), Older Teen (16-18)
Character Representation: Black