Tasha is absolutely thrilled to relive her Gramp Abominable’s stories of Camp Yeti, even if things will look a little different. Due to the low numbers of yetis, she’s convinced her parents to turn it into Camp Monster and welcome everyone, but things don’t go as expected.
The new campers—and Tasha’s cousin—don’t seem to appreciate the traditions or the changes at Camp Monster and there are lots of clashes from mischievous goblins using their magic to a nervous werewolf who doesn’t want to learn to swim. Even worse, there are rumors and signs of humans in the area! Will Tasha get to experience the joys of summer camp as she’s imagined or will the camp have to close down as soon as it’s reopened?
Falynn Koch has previously collaborated with Kate Messner, but this is her first fully fictional graphic novel; her previous titles included entries in the Science Comics and History Comics series. Her art is well-suited for middle grade fiction, leaning towards simple lines and colorful images. Koch introduces the diverse monsters at the beginning of the book, combining with Messner’s dialogue to create individual portraits of each creature. Tasha and her cousin Kami have fluffy white fur, curved yellow horns and yellow tongues, varying shades of blue skin on their face masks, hands, and feet. Kami wears a blue fedora, making it easy to tell the yetis apart. The campers include a pair of green goblin twins, with slightly different fur patterns, a nervous red werewolf, soccer-loving vampire in shades of purple, ballet-loving ogress with blonde hair and green skin, and a bright orange griffin who is eager to get swimming. The monsters are divided up into two cabins roughly along gender lines at the beginning of the story, but Koch does not portray them as conforming to human (or monster) gender norms throughout the book. They wear (or don’t wear) a variety of clothing, from a pink tutu to loose tunic-like shirts.
In this first book, the creators focus on getting to know the characters and Koch moves the story through various scenarios and running storylines at the camp that give readers a feel for each camper’s individual personality. Lupo, the werewolf, struggles to swim and while Coach Q, a mermaid, is understanding, the bulky sea serpent, Coach J, doesn’t really get it. Their confused faces and Lupo’s misery are shown in their features, regardless of fur and scales, as the campers interact with the lake in different ways. The most striking contrast is shown between Isabelle, the ballet-loving ogress and Vera, the soccer-loving vampire. Isabelle is clear on her love of all things pink and fancy, always shown in pink, her blonde hair in a bun, while Vera prefers more active clothing (all purple to match her hair and skin) and would rather be out playing soccer than doing her nails. On the other hand, Vera is a confirmed vegetarian and recoils from Isabelle’s collection of live spiders she keeps for snacks. Koch keeps the reader from stereotyping either of the two as she constantly introduces new facets of their personalities and interests while keeping their basic portrayal consistent.
The creators move the story through all the ups and downs of very different monsters trying to enjoy camp together until they end up faced with an enemy that makes them all scared – humans! To keep the camp from being shutdown due to the dangers of humans, the monsters will have to put aside their differences and work together, but do they even want to stay at camp? Messner includes letters home from each of the campers that fill out the story and keep the plot moving while Koch focuses on the humor and drama of the monsters’ daily interactions.
This story is full of pranks, jokes, and fantastical creatures while carrying an underlying message of diversity, acceptance, and cooperation. There are several layers of humor, making this appeal to a wide range of readers, and middle grade readers are unlikely to outgrow their interest in the characters before the next book in the series is released.
Recommend to young readers ready to move on from Kevin Sherry’s Yeti Files and those who enjoy light-hearted graphic novels with bright, appealing illustrations like The Investigators.
Camp Monster By Kate Messner Art by Falynn Koch Bloomsbury, 2026 ISBN: 9781547609413
Science Comics is a long-running series, which invites a wide variety of skilled creators to explore different scientific subjects. All of the titles in the series have a certain amount of narrative story holding the information together, but some definitely lean more towards the expository, which is the case in this title
A prose introduction from Emily Lindsay, a paleontologist who works at La Brea Tar Pits, gives some context for the book, explaining the rise and extinction of megafauna and prehistoric mammals and the importance of large mammals today. Flood begins the narration with an iconic sequence of panels showing a line of mammoths tramping across a glacier in Siberia, where they are then attacked by a pack of cave lions and one young mammoth plunges into the icy water below.
He uses this sequence to kick off the basic concepts being introduced in the book, showing the modern relatives of mammoths and cave lions – elephants and African lions – and then jumping back to the origin of mammals and their gradual development over millions of years. These pages are filled with neatly drawn charts of evolution and cartoon creatures in bright colors who comment on each other’s adaptions with jokes.
Flood helps readers follow the evolutionary development of mammals with a yellow diapsid, “Dia” and a red synapsid, “Sid.” Eventually, Dia evolves into the dinosaurs, eyeing Sid hungrily, while Sid evolves into the early mammals, brownish-yellow, blue, and purple creatures. In the next big extinction, Dia’s survivors shrink down to a feathery yellow bird while Sid returns to his red, basic mammalian form. Flood’s color-coded animal adaptations make it easy for young readers to follow the complex concepts of evolution and adaptation over the huge periods of time represented.
The story next moves on to the Cenozoic, the age of mammals. Flood illustrates the early mammals in soft browns and grays with faint black patterns, setting them amidst lush green jungles and forests. This morphs into the more colorful variety of mammals we’re more familiar with today, as well as gradually diversifying plant life, with colorful flowers, birds, insects, and more. Dia and Sid continue to show up—Dia staying in her yellow bird form while Sid changes frequently, although generally keeping to a four-footed, small red mammal shape.
Flood continues the story, showing how the changes in climate and habitat prompted evolutionary changes in mammals and drawing more and more parallels between prehistoric and modern creatures as evolution progresses. The original red of Sid the synapsid shows up again here, in the arrows and charts, while extinct animals are generally shown in plain greys and browns, allowing the animals who have contemporary survivors to show up more clearly in the artwork.
Sid shows up again, illustrating the evolution of herbivores from small to large, to survive the large carnivores. Dia flies along above a fleeing Sid, making comments on the predator and prey racing about. The two follow along as the story nears the modern day, showing the niche animals that evolved on the now-distinct continents and the convergent evolution of different species. When the narration reaches the ice ages of the Pleistocene, Flood steps away from animals in a spread to illustrate the climate changes with blue and green diagrams and a fiery sun shooting rays of orange and red toward earth.
The narrative begins to return to the introduction, showing the migration of mammoths and describing the La Brea Tar Pits, as well as introducing the evolution of a new mammal – humans. Sid and Dia show up again, watching the arrival of humans. Flood illustrates the changing evolution of different human species, showing a variety of darker skin colors, postures, and hair textures. He has a distinctive style when drawing human faces and this begins to show up in this last section of the book, with larger eyes, square, blocky hands, and thick lips. The story ends with a discussion of the current extinction event we are living through and the effect it has on mammals, including humans.
Flood has written or illustrated several other Science Comics titles and his blocky, simply style with lightly humorous touches and clear, simple diagrams is well-suited to the series. He does an excellent job in this title of connecting the complicated and wide-ranging topic together, moving between epochs and eras and tying the exposition together with narrative touches from beginning to end. The text is very readable, although the number of Latin species names may daunt some young readers. However, those who are interested in prehistoric life will be generally familiar with the nomenclature and the text is very understandable even if readers stumble over some of the names. This is another excellent entry in a strong series that should be represented in all public and school libraries.
Prehistoric Mammals From the Jurassic to the Ice Age By Joe Flood Macmillan First Second, 2026 ISBN: 9781250868428
NFNT Age Recommendation: Middle Grade (7-11), Tween (10-13)
A near apocalypse at the hands of an Aztec Earth goddess has led to the impossible: Pablo Ortiz is popular again. Since the publication of the first Monster Locker in October 2024, Pablo and his friends Takashi and Maggie have been working to banish the demons and mythical creatures that use Pablo’s basement locker as a FastPass into the human world back into their own dimension. Most of our trio is burnt out with all of their monster fighting, but Pablo is feeling the rush of finally being seen in a good way again and is pushing his friends to keep the monster banishing and their social capital up. The problem with being seen, though, is sometimes the wrong things are looking.
Monster Locker: Nine-Tail Trouble, scheduled for release April 21, 2026, sees creators Jorge Aguirre and Andrés Vera Martínez diving back into the world of the first book with a new focus and an equally lovely story. While monster banisher Pablo still acts as the protagonist, this story is really about his friend, the charmingly unhinged Takashi Rosenberg. Takashi is not overly thrilled with their heavily monster focused schedule and has a lot on his mind. He wants to get back to RPGs and becoming a J-Pop sensation and worrying about his upcoming Bar Mitzvah and missing his mom in Japan. Like many children from different, distinct backgrounds, Takashi doesn’t know how to reconcile his Judaism with his Japanese heritage and vice versa. He feels out of place in both, a situation escalated by his parents divorce and his mother’s physical distance. And this also leaves him vulnerable when a new, dangerous monster threatens not just the trio’s school and popularity, but the roots of their friendship.
I loved the first Monster Locker when it came out but felt like the side characters, like Takashi, didn’t get a lot of fleshing out and it’s like Aguirre and Martínez were reading my dream journal. This second volume not only gives Takashi amazing depth and a massive struggle with identity, but pulls folkloric characters from both of his heritages into the story. While the first book was like an ode to Pablo’s Meso American ancestry and Aztec gods, Nine-Tail Trouble sees Kitsune (the Japanese nine-tailed fox trickster) and a Golem (an animated, humanoid chunk of clay from Jew folklore) doing battle, turning Takashi’s internal struggle into a visibly destructive one.
With the shift in focus comes a shift in artistic style. While the first Monster Locker took a lot of visual inspiration from Meso American art, this one pulls in references to Medieval Jewish art to draw in the Golem’s background and soft Japanese watercolor for the Kitsune. It’s lovely to look at and the emotional heft is clear without being overpowering. Takashi’s struggle is universal and makes a powerful framework for this story.As much as I love the focus on Takashi, much like the first Monster Locker, the other characters are not given much time to grow. The story sees many of the characters from the first book return but all, even Pablo, our protagonist, take a backseat. I would love to see more balance between the characters and their growth in future volumes.
Aguirre and Martínez have created a world that has some of my favorite things about graphic novels: the stories are fun and surprising, the characters are unique but grounded in real emotional stakes, and the art is gorgeous. This series continues to please and I can’t wait for more.
Monster Locker: Nine-Tail Trouble By Jorge Aguirre Art by Andrés Vera Martínez Macmillan First Second, 2026 ISBN: 9781250749765
Company Age Rating: 10-14
NFNT Age Recommendation: Middle Grade (7-11), Teen (13-16), Tween (10-13) Creator Representation: Colombian-American, , Character Representation: Japanese, Mexican-American, Jewish ,
Shy Cat and the Stuff-the-Bus Challenge by Dian Day and Amanda White teaches young readers about food insecurity through the story of Mila and her best friend Kit. Mila, a budding cartoonist, splits her time between her moms’ houses. Kit lives with his mom in an apartment. After bonding over being new kids at school, they are inseparable. Mila even gets to school early to join Kit for the school breakfast program since he doesn’t like to go alone. Between school, petting neighborhood cats, and DIY movie making, things are great between the two! Until Kit has a meltdown at school, setting the main story in motion.
The Stuff-the-Bus Challenge asks the students to bring goods to be donated to a local food bank. The challenge is simple – stuff the bus with food! The winning class gets their own pizza party. Students are excited to meet the challenge, when Kit discovers a dented can amongst the donated items. Who would donate something imperfect? Why do his classmates think it’s okay to give their dented cans to people who need food? This tipping point spurs Mila to better understand food insecurity and how close to home it can be.
Throughout the story, Kit’s hunger and how it affects him personally day to day is hinted at: headaches, crankiness, being secretive. Mila recounts a time she thought Kit was being rude upon quickly eating three bananas at her house. Her mom explains that “sometimes rude was just hungry” and it shouldn’t take away from Mila’s time spent with Kit. The story makes it clear that, even though she cares about Kit dearly, Mila struggles with her own emotions and how to be a good friend, even when your friend is being off-putting, because you don’t always know what they’re going through. In learning more about Kit’s situation, she’s forced to deal with and control her own emotions.
Shy Cat and the Stuff-the-Bus Challenge covers a lot within its pages. As Mila speaks with the adults in her life, there’s several pages that are fairly text heavy. These honest conversations are worthwhile. The graphic novel introduces different ways to fight food insecurity, including a great introduction to community gardening. Mila realizes the importance of speaking your mind and standing up for what’s right, something readers may find especially inspiring. The book includes some backmatter on the Hungry Stories project, which both author and artist are members of, for anyone looking to learn more about the topic at hand.
White’s art in Shy Cat and the Stuff-the-Bus Challenge is colorful, realistic, and cozy when it needs to be. Individuals of different races, abilities, and bodies are shown around Kit and Mila’s community. Lots of cats too! Mila’s Shy Cat comics are interspersed throughout the story, they become a way for her to express her emotions, almost like a graphic diary, and these work quite well in doing that.
Shy Cat and the Stuff-the-Bus Challenge would be a great choice for a middle grade book club or classroom read along. The Good Question Bus in the story, where students can ask questions anonymously, can even be adopted for individual classrooms. This graphic novel deals with topics that must be spoken about openly and honestly in a way that its intended audience can relate to.
Shy Cat and the Stuff-the-Bus Challenge By Dian Day Art by Amanda White Not in listSecond Story Press, 2026 ISBN: 9781772604450
Company Age Rating: 9-12
NFNT Age Recommendation: Middle Grade (7-11), Tween (10-13)
Shining a light on a lesser know story from the Civil War era, Legion M Entertainment and Stranger Comics bring together a talented creative team including creatives from Disney, Marvel, and DC, for Defiant, this first volume chronicling the life of Robert Smalls.
Born to an enslaved mother in the American South, Smalls dreamed of freedom. Beginning with his childhood, Defiant follows Smalls as he grows through education, love, and eventually into working as a sailor when war breaks out against the North. It is in this war that Smalls sees an opportunity at freedom, to steal the Confederate transport ship he worked on and escape to Union-controlled territory with some of his fellow crew and their families.
It was this escape that made Smalls famous, but his life’s work did not stop there. He continued as an influential figure throughout the war and beyond, including time serving in Congress. There are many today who do not know the details of Smalls and his life, and in the supplementary material that accompanies this graphic novel, the creators, as well as Smalls’s great great grandson, reflect on the power of legacy and the necessity of telling stories like this in order to remember the past and inform the future.
Defiant opens with a framing narrative depicting Smalls later in life as he takes his grandson fishing. It is here, as they wait for the fish to bite, that he begins to recount his story. Each section of the book captures key moments of Smalls’s youth and adulthood. It’s a significant length of time to cover, but the creators pace the story well, showcasing the experiences that formed Smalls’s character and the sense of defiance that would later drive him to risk everything in pursuit of freedom. The story is told with fondness and dramatic flair, but it doesn’t lose sight of the Smalls’s humanity or the horrors of US slavery at the time.
Balancing cinematic sensibilities with a desire to share a true segment of history, the writing effectively moves between interludes with the older Smalls and the larger narrative chunks leading up to his dramatic escape. The dialogue is straightforward and occasionally on the nose, but the book does an excellent job identifying important details to convey and moving the story along, while also bringing the reader into Small’s life along with the lives of those around him. It’s a story told with concern for historical truth, but also with acknowledgement that some liberties were taken and some factual gaps filled in to bring the story to life.
With these same cinematic sensibilities, the artistic team uses bold coloring and some dynamic layouts that quickly grab the reader’s attention. There’s a general sense of realism to the visual sequences, but the art takes some compelling creative liberties at times which help to elevate the themes and content of the story. There is one pivotal moment early in the book where Smalls, as a child, witnesses the violence and cruelty committed against the Black people around him. With use of light and shadow as well as distortions of faces that once seemed less threatening, the artists bring us into the experience of the moment and the realization of the evil inherent to the institution of slavery. Here and elsewhere, the art reckons with the realities of the time without the need to linger over pain and suffering. As the book progresses into the dramatic escape that Smalls is most known for, the visuals continue to bring the reader into the action, with effective choices in framing and dramatic moments that heighten both the tension and the heroism of what Smalls and the other achieved.
Stranger Comics lists Defiant as suitable for all ages. There are a range of areas in the content to be mindful of—violence and death in war and toward enslaved people, occasional slurs, briefly implied nudity, and some sequences of tension and threat which at times include children. However, none of these are presented for shock value or in graphic detail; even the creators state that their intention is not to linger over the violence and other horrors of the time. What detail we do see in the pages is relatively brief, maintaining focus on Smalls as a central figure and celebrating what he achieved without glossing over the reality that helped shape him.
As such, it’s a suitable read for older kids and upward, not only for the book’s sense of adventure, but also for the rich and important history it seeks to convey. In the afterword, writer Rob Edwards reflects on the importance of telling stories and why he sees such value in remembering the life of Robert Smalls. There is value, not only in the history recorded here, but in the discussions offered by Edwards and the others in this book who reflect on what it can mean for us today, to remember the bravery and steadfastness of those who have come before. In this way, Defiance is a perfect read for the current moment, and a great addition to shelves in schools, libraries, and home collections, especially with a movie also in production.
Defiant The Story of Robert Smalls By Rob Edwards Art by Sean Damien Hill Legion M and Stranger Comics, 2025 ISBN: 9781939834379
NFNT Age Recommendation: Teen (13-16) Creator Representation: Black, Character Representation: Black,
Serendipity, a perky middle schooler, is lucky, as readers will see in the first pages when she wins a radio contest (again) for free carnival tickets. As her day progresses, her usual good luck continues—good grades, the lead role in the school play, good scores on the basketball court, and a solid position as class president.
However, once she and her best friend Basil have an UNlucky run in with ZamZam, the carnival’s fortune-telling rabbit, her luck starts to change. It’s all ZamZam’s fault! Or is it? Serendipity is determined not to let anyone down, stop making mistakes, and handle everything on her own – but maybe she needs more help than the school’s unofficial wizard can offer and maybe even the best luck in the world won’t let her handle all the things she’s taken on.
Serendipity is a white girl with long brown hair that curls perfectly at the ends (usually). Unless she’s dressed up in a pink princess gown for the school play, she sports a purple shirt, short blue jumper, and yellow shorts. Her legs are drawn with long, thin lines. Her best friend Basil is also white, with short, orange hair and a heftier build. She is usually shown in shades of green, her preferred clothes being a green shirt and brown shorts. Serendipity’s vice president, Chel, wears a headscarf and there are students with varying skin colors on the periphery of her circle. There are a lot of pink accents in the art, from Serendipity’s cute strawberry hat, worn to disguise her unexpected bad hair day, to the pastel swirls of her thoughts. The carnival tent is deep pink and the night scenes are shown in dark purple shades.
This is a candy-pink, sweet as lollipops offering. It’s more fantasy than realistic—most modern middle schoolers would laugh at the idea of involvement in three activities being too much to take on and the dramatic play director and aggressive school election are old tropes that don’t usually appear in actual school life. However, the overall message is a thoughtful one and there are some especially good moments where Basil expresses her frustration with how easily everything comes to Serendipity—and her lack of appreciation and awareness for that privilege.
This will be a popular choice where Raina Telgemeier read-alikes are in high demand, especially for younger elementary school readers and those who aren’t interested in, or ready for, the more serious challenges they may meet in middle school.
Serendipity By Gabbie Benda Holiday House, 2026 ISBN: 9780823457892
Mika Song’s repertoire includes both picture book illustration and the Norma and Belly graphic novel series. She returns to the world of tasty food in her newest graphic novel, Night Chef.
In a gourmet kitchen, when the chefs leave, Night Chef takes over. A small raccoon, she ties on her blue apron, recites her chef mantras, and gets to work. Her latest creation needs an egg and fortunately there’s one almost within reach… When her ingredient hatches a noisy baby bird, Night Chef ends up going on a journey with her new responsibility. Along the way, she will cook new dishes, encounter new friends, and discover secrets about her own past.
Song’s work is instantly identifiable. Her lush watercolors create a night world of dark greens and blues, a cozy waterfront diner with simple browns, and a unique cast of characters. Rounded green frogs with headbands mingle with a sharp-eyed grey shrew and a pink-hued possum. Night Chef herself is unique – when she first appears, sneaking olives from the humans, she’s a small round bundle, her cheeks bulging. In her own world, she stands on her hind feet, sporting a neatly tied blue apron with handy pockets and carrying a large spatula. At one point in her travels, she meets a crowd of other raccoons, “The Pats” and stands out from their round, brown bodies with her own larger size, gray fur, and oval head. The villain of story, although treated with understanding, is a flurry of brown and white feathers and snapping, angry beak.
The book ends with a fun little comic of Night Chef making “fly frittata,” and the same recipe tweaked for more human tastes. Song also includes the character development of Night Chef, from rough sketches to completion.
This is lengthier, with more space for a deeper plot and character development, than Song’s earlier works. Although the story is a simple one, readers will feel the courage and dedication of Night Chef as she steps out into a scary world, leaving the only place she’s ever known, but keeps following her calling as a chef no matter where she goes. Squeamish readers may not enjoy the plentiful servings of worm-related food at the waterfront diner, but Song’s art makes everything look tasty.
This will be a sure bet for fans of Mika Song’s earlier works but will also appeal to readers who like reflective animal stories like One and Only Ivan as well as funny-food based stories like Stick Dog. It’s a great choice for encouraging young readers to explore different styles of art and graphic storytelling and even includes a timely message about the consequences of poisoning “pests” in the wild. Readers will root for Night Chef all the way to the satisfying ending.
Night Chef By Mika Song Penguin Random House Graphic, 2025 ISBN: 9780593303153
NFNT Age Recommendation: Middle Grade (7-11) Creator Representation: Filipino-American,
Have you ever felt like you needed to talk but the words just wouldn’t come out? How about wanting to be social, outgoing, and funny but finding yourself overwhelmed at the prospect? Aron Nels Steinke’s Speechless is a middle grade graphic novel about Mira, a sixth grader who can’t always find her voice and what she wants to say, no matter how hard she tries at it.
Mira doesn’t talk in school; it started years ago when she was little and it just… hasn’t stopped. But this year, it’s time for middle school and time for her to finally speak at school! Except, by this point, her classmates are used to her not talking, so they fill in for her and thus begins another school year of being speechless. Mira retreats to her sanctuary, her bedroom, where she spends her free time creating stop motion animated films for her channel Danger Cat Studios. Filmmaking is a safe place where she can be herself, as loud as she wants to be.
Throughout the book, and the first year of middle school, Mira attempts finding her confidence and voice. She makes a new friend, develops her first crush, and deals with her former best friend suddenly being inescapable. (Literally, she moves in with Mira’s family!) Her personal struggles lead to school struggles and disappointing grades. Her parents learn she hasn’t been speaking at school and start her in therapy, where she learns more about herself.
Speechless is a welcome addition to any graphic novel bookshelf. With everything going on in Mira’s life throughout the story, Steinke keeps the story light enough that readers will find it enjoyable and still relatable. Her therapy visits and subsequent diagnoses are just another aspect of who Mira is, rather than overtaking her sixth grade story. Learning she has selective mutism and social anxiety leads to Mira better understanding herself. She struggles with the intensity of her emotions and often jumps to the worst possible scenario. Readers facing their similar anxiety will see it’s just one aspect of who they are, along with a lot of other wonderful things about them, and that they’re not alone in how they feel.
Throughout Speechless, Steinke shows Mira’s crafting process in detail, with specifics of how she made her creations out of everyday objects. Her filmmaking process is shown in smaller panels to better appear like a stop motion animation film. With social media being so prominent in readers’ lives and often presented in other books, it’s fun to see the internet being used as a place of creativity and originality in this particular graphic novel.
Steinke’s art is colorful and realistic, there’s lots for readers to pick apart in certain panels. It reflects Mira’s mood and current situations too. When she’s angry, the pages are darker and busier. When she’s feeling trapped in a classroom and not able to speak, there’s more movement from other characters, leading the reader to feel like they’re right there alongside her.
Readers of Steinke’s Mr. Wolf’s Class series should enjoy this standalone graphic novel, as will fans of middle grade stories centered on fitting in, new struggles, and embracing what makes you you. Like other popular middle grade graphic novels, Steinke’s own experiences inform the story he tells. He also includes an afterward with his experiences and recommended resources. Readers who’ve enjoyed similar graphic novels are sure to enjoy this one too.
Speechless By Aron Nels Steinke Scholastic GRAPHIX, 2025 ISBN: 9781338849325
Company Age Rating: 8-1
NFNT Age Recommendation: Middle Grade (7-11), Tween (10-13) Creator Representation: , Anxiety Character Representation: Mute, Jewish , Anxiety
Eighteen-year-old Autumn is in her senior year of school and works in a coffee shop. It seems like a humdrum life, but what she’s going to do after graduation eludes her. Her dad left a couple years ago, and her mom doesn’t have any money to send her to college. So, her future holds just work, and for not enough to live on by herself. Is this all there is?
Then, a boy from her school (who owns a bookshop) and an imaginary friend from her childhood (who’s a… well, it’s not explained right away… ) pop back into her life through a series of increasingly unlikely events. Statues of animals in the park speak to her, tiny glowing fairy lights find her in the park, her hands start *glowing*, and a HUGE guardian troll named Fred finds her and then disappears! The coffee job suddenly seems soothingly boring after that. But strange people keep finding her. Just when a dark, purple-suited man with a Van Dyke shows up and threatens her, her MOM shows up and defends her! (With her same glowing hands and eyes!) Why won’t anyone tell Autumn what’s going on? All she keeps hearing is “not now”.
The art is sharp edged, with broad marker inking, and is somewhat two dimensional. Washes of color help portray the light values and keep the art more interesting. It reminds me a bit of Mike Mignola’s art, back in the first days of Hellboy, or his graphic novels of Leiber’s Fafhrd and the Grey Mouser. And just like those comics, this spooky tale starts with a teenager’s discovery that the world isn’t exactly what she thought it was. It’s filled with creatures, fae, and dark powers. Who IS Autumn? Who is her mom? Adolescent anxieties and rites-of-passage sync perfectly with this story, which flows smoothly and should interest teens and young adults. Autumn is challenged to decide who she wants to be. But she needs to figure it out soon, because Mr. Purple-Suit’s threats are getting louder and more powerful. (OTOH, isn’t it useful when the baddies just TELL you what nefarious plans they have? Bad call, Mr. Purple Suit. And stop the mansplaining, would you?)
No adult situations, and minimal violence. Suggested for the young adult section.
The October Girl, Book 1 By Matthew Dow Smith Mad Cave Studios, 2025 ISBN: 9781960578594
NFNT Age Recommendation: Adult (18+), Older Teen (16-18), Teen (13-16)
A lot of the graphics I’ve read recently are BIG stories: epic adventures, fantastic settings, or, in more realistic pieces, life or death stakes. It’s easy to make even a straightforward coming of age tale a BIG story with the angst, drama, and anxiety of even the most bog standard puberty. What’s hard is telling an entertaining small story, one that feels honest and real and intimate, something that at once feels universal and unique. Turning Twelve by Kathryn Ormsbee and illustrated by Molly Brooks is a small story. And it is completely lovely.
This follow up to Growing Pains by the same pair and released by Penguin Random House in October 2024, picks up with central character Katie as she turns twelve. Twelve is looking to be a big year for her: the threat of her first period is lurking around every corner, she’s going to her youth groups annual retreat, she gets to start babysitting, and she’s positive she’ll be cast as the lead in an upcoming musical. The Obsessive Compulsive Disorder that was central in the first book still buzzes in the background, but Katie is learning to accept that as part of how her brain works. Things turn sideways for Katie quickly—her best friends move out of town, she doesn’t get the lead in Annie, and things that felt natural and easy last year are filling her with questions and doubt. The biggest question is her new friend Grace. Grace is pretty. Really pretty. Really really pretty and nice and talented and makes her heart go thump thump thump. This is a big problem for Katie whose church makes it very clear that being gay is not okay.
Visually, Turning Twelve is nearly a perfect middle grade graphic. The art is cute and there are a few recurring visual themes that do a lot of story work, like the thumps of Katie’s heart or the buzzing bees of her anxious thoughts. The panels have a smooth, clean layout that moves the story along at a quick clip. This is a really quick read which is good because there isn’t really a lot going on in this story. Even in slow moments, the story doesn’t drag or meander. Katie is a very compelling character who breathes life into the story and gives the reader a solid anchor into the world of the story. Katie is so well developed in fact that the other characters don’t get much beyond a surface level treatment. Hazel, the would be new youth group friend, is never more than just there, and even Grace, the object of Katie’s confusing affection, doesn’t get a whole lot of characterization. The reader never really sees Katie’s parents so there’s no sense of how founding her stress in her awakening sexuality is. This is Katie’s story and Katie’s conflict and the other characters aren’t given much beyond her lens.
When I say Turning Twelve is small, that’s not to say it’s not saying big or important things. It absolutely is. But it’s not trying to solve those big important things. There are no big confessions or clear answers. Just like the mental health struggles Katie had in the first book, there are no fixes in this story because there is nothing to fix, just new ways for Katie to interact with her world and an acceptance of herself. The story ends with the hope that that world will be kind to our main character and that, while her road may still be bumpy ahead, Katie is going to be okay.
Turning Twelve Vol. 2 By Kathryn Ormsbee Art by Molly Brooks Penguin Random House, 2024 ISBN: 9780593650066
Company Age Rating: 8-12
NFNT Age Recommendation: Middle Grade (7-11), Tween (10-13) Creator Representation: Lesbian, Character Representation: Lesbian, Obsessive Compulsive Disorder (OCD)
low numbers of yetis, she’s convinced her parents to turn it into Camp Monster and welcome everyone, but things don’t go as expected.
titles in the series have a certain amount of narrative story holding the information together, but some definitely lean more towards the expository, which is the case in this title
of the first Monster Locker in October 2024, Pablo and his friends Takashi and Maggie have been working to banish the demons and mythical creatures that use Pablo’s basement locker as a FastPass into the human world back into their own dimension. Most of our trio is burnt out with all of their monster fighting, but Pablo is feeling the rush of finally being seen in a good way again and is pushing his friends to keep the monster banishing and their social capital up. The problem with being seen, though, is sometimes the wrong things are looking.
story of Mila and her best friend Kit. Mila, a budding cartoonist, splits her time between her moms’ houses. Kit lives with his mom in an apartment. After bonding over being new kids at school, they are inseparable. Mila even gets to school early to join Kit for the school breakfast program since he doesn’t like to go alone. Between school, petting neighborhood cats, and DIY movie making, things are great between the two! Until Kit has a meltdown at school, setting the main story in motion.
creative team including creatives from Disney, Marvel, and DC, for Defiant, this first volume chronicling the life of Robert Smalls.
carnival tickets. As her day progresses, her usual good luck continues—good grades, the lead role in the school play, good scores on the basketball court, and a solid position as class president.
Mika Song’s repertoire includes both picture book illustration and the Norma and Belly graphic novel series. She returns to the world of tasty food in her newest graphic novel, Night Chef.
but finding yourself overwhelmed at the prospect? Aron Nels Steinke’s Speechless is a middle grade graphic novel about Mira, a sixth grader who can’t always find her voice and what she wants to say, no matter how hard she tries at it.
to do after graduation eludes her. Her dad left a couple years ago, and her mom doesn’t have any money to send her to college. So, her future holds just work, and for not enough to live on by herself. Is this all there is?
stakes. It’s easy to make even a straightforward coming of age tale a BIG story with the angst, drama, and anxiety of even the most bog standard puberty. What’s hard is telling an entertaining small story, one that feels honest and real and intimate, something that at once feels universal and unique. Turning Twelve by Kathryn Ormsbee and illustrated by Molly Brooks is a small story. And it is completely lovely.
