Private Detective John Blacksad considers it a good day when he can get home with peace of mind and his knuckles intact. Sadly, days like that are all too rare, particularly when Blacksad is more frequently employed as hired muscle than for his keen insight. Such is the case when Blacksad is hired by a union president with no confidence in the police to hunt the hitman he’s sure is after him. His paranoia proves well founded and Blacksad soon finds himself embroiled in a mystery that will take him from the depths of New York City’s underworld to the lofty heights enjoyed by real estate magnate Lewis Solomon.
Coincidentally, I had the Blacksad series recommended to me as a Film Noir fan just before I had a chance to preview Blacksad: They All Fall Down—Part One. Somehow, it had flown under my radar, despite the Blacksad books being critically acclaimed and published in translated editions in 39 countries. This is largely because the original English translation went out of print before Dark Horse comics picked up the American license. Throw in the complication that the series was originally written for the French comic market by two Spanish creators and it is small wonder Blacksad is still relatively obscure in the United States outside of a few niche fandoms.
It should be mentioned that the world of Blacksad is populated by anthropomorphic animals, but this is no children’s story. Like Art Spiegelman’s Maus, different species of animals are utilized as metaphors for racial and social strife, with John Blacksad himself facing suspicion both because of his mixed-race status as a tuxedo cat and his being a predator among prey animals. The effect is like a gritty version of Zootopia, aimed firmly at adults.
The English translation of Juan Diaz Canales’ script by Diana Schutz and Brandon Kander is excellent. The pater of a 1950s detective story is replicated perfectly, despite the original French text being translated literally. Thankfully, an afterword explains some of the linguistic oddities and literary allusions, such as Blacksad’s reference to the folly in sending a fox police officer to the henhouse, when the police break-up a Shakespeare in the Park production. (Henhouse is a slang term for the cheap seats in France.)
Thankfully, the artwork of Juanjo Guarnido transcends language. Beyond the sheer variety of colorful creatures he has created to populate this world, Guarnido is a master of expressive faces. The emotions of each character is clear, despite the delightfully alien nature of their features. Guarnido is also a master at working little details into every panel.
This volume is recommended for readers 18 and older. Having not read the earlier volumes of Blacksad, I can’t vouch for the series as a whole, but that seems a bit high for this particular chapter. There is bloodshed and murder, but nothing in excess for an Older Teen series. There is also some sexual content, with a perverted peeping tom spying on one of his neighbors and slapping a woman on the bottom, but no nudity. I would still advise keeping this series in the adult collection, however, given that the sensibilities and historical context of this series are more likely to appeal to older audiences.
Blacksad: They All Fall Down Part 1
By Juan Díaz Canales
Art by Juanjo Guarnido
Dark Horse, 2022
Publisher Age Rating: 18+
NFNT Age Recommendation: Adult (18+)
Creator Representation: Spanish, Character Representation: African-American,