Have you ever felt like you needed to talk but the words just wouldn’t come out? How about wanting to be social, outgoing, and funny but finding yourself overwhelmed at the prospect? Aron Nels Steinke’s Speechless is a middle grade graphic novel about Mira, a sixth grader who can’t always find her voice and what she wants to say, no matter how hard she tries at it.
Mira doesn’t talk in school; it started years ago when she was little and it just… hasn’t stopped. But this year, it’s time for middle school and time for her to finally speak at school! Except, by this point, her classmates are used to her not talking, so they fill in for her and thus begins another school year of being speechless. Mira retreats to her sanctuary, her bedroom, where she spends her free time creating stop motion animated films for her channel Danger Cat Studios. Filmmaking is a safe place where she can be herself, as loud as she wants to be.
Throughout the book, and the first year of middle school, Mira attempts finding her confidence and voice. She makes a new friend, develops her first crush, and deals with her former best friend suddenly being inescapable. (Literally, she moves in with Mira’s family!) Her personal struggles lead to school struggles and disappointing grades. Her parents learn she hasn’t been speaking at school and start her in therapy, where she learns more about herself.
Speechless is a welcome addition to any graphic novel bookshelf. With everything going on in Mira’s life throughout the story, Steinke keeps the story light enough that readers will find it enjoyable and still relatable. Her therapy visits and subsequent diagnoses are just another aspect of who Mira is, rather than overtaking her sixth grade story. Learning she has selective mutism and social anxiety leads to Mira better understanding herself. She struggles with the intensity of her emotions and often jumps to the worst possible scenario. Readers facing their similar anxiety will see it’s just one aspect of who they are, along with a lot of other wonderful things about them, and that they’re not alone in how they feel.
Throughout Speechless, Steinke shows Mira’s crafting process in detail, with specifics of how she made her creations out of everyday objects. Her filmmaking process is shown in smaller panels to better appear like a stop motion animation film. With social media being so prominent in readers’ lives and often presented in other books, it’s fun to see the internet being used as a place of creativity and originality in this particular graphic novel.
Steinke’s art is colorful and realistic, there’s lots for readers to pick apart in certain panels. It reflects Mira’s mood and current situations too. When she’s angry, the pages are darker and busier. When she’s feeling trapped in a classroom and not able to speak, there’s more movement from other characters, leading the reader to feel like they’re right there alongside her.
Readers of Steinke’s Mr. Wolf’s Class series should enjoy this standalone graphic novel, as will fans of middle grade stories centered on fitting in, new struggles, and embracing what makes you you. Like other popular middle grade graphic novels, Steinke’s own experiences inform the story he tells. He also includes an afterward with his experiences and recommended resources. Readers who’ve enjoyed similar graphic novels are sure to enjoy this one too.
Speechless By Aron Nels Steinke Scholastic GRAPHIX, 2025 ISBN: 9781338849325
Company Age Rating: 8-1
NFNT Age Recommendation: Middle Grade (7-11), Tween (10-13) Creator Representation: , Anxiety Character Representation: Mute, Jewish , Anxiety
A lot of the graphics I’ve read recently are BIG stories: epic adventures, fantastic settings, or, in more realistic pieces, life or death stakes. It’s easy to make even a straightforward coming of age tale a BIG story with the angst, drama, and anxiety of even the most bog standard puberty. What’s hard is telling an entertaining small story, one that feels honest and real and intimate, something that at once feels universal and unique. Turning Twelve by Kathryn Ormsbee and illustrated by Molly Brooks is a small story. And it is completely lovely.
This follow up to Growing Pains by the same pair and released by Penguin Random House in October 2024, picks up with central character Katie as she turns twelve. Twelve is looking to be a big year for her: the threat of her first period is lurking around every corner, she’s going to her youth groups annual retreat, she gets to start babysitting, and she’s positive she’ll be cast as the lead in an upcoming musical. The Obsessive Compulsive Disorder that was central in the first book still buzzes in the background, but Katie is learning to accept that as part of how her brain works. Things turn sideways for Katie quickly—her best friends move out of town, she doesn’t get the lead in Annie, and things that felt natural and easy last year are filling her with questions and doubt. The biggest question is her new friend Grace. Grace is pretty. Really pretty. Really really pretty and nice and talented and makes her heart go thump thump thump. This is a big problem for Katie whose church makes it very clear that being gay is not okay.
Visually, Turning Twelve is nearly a perfect middle grade graphic. The art is cute and there are a few recurring visual themes that do a lot of story work, like the thumps of Katie’s heart or the buzzing bees of her anxious thoughts. The panels have a smooth, clean layout that moves the story along at a quick clip. This is a really quick read which is good because there isn’t really a lot going on in this story. Even in slow moments, the story doesn’t drag or meander. Katie is a very compelling character who breathes life into the story and gives the reader a solid anchor into the world of the story. Katie is so well developed in fact that the other characters don’t get much beyond a surface level treatment. Hazel, the would be new youth group friend, is never more than just there, and even Grace, the object of Katie’s confusing affection, doesn’t get a whole lot of characterization. The reader never really sees Katie’s parents so there’s no sense of how founding her stress in her awakening sexuality is. This is Katie’s story and Katie’s conflict and the other characters aren’t given much beyond her lens.
When I say Turning Twelve is small, that’s not to say it’s not saying big or important things. It absolutely is. But it’s not trying to solve those big important things. There are no big confessions or clear answers. Just like the mental health struggles Katie had in the first book, there are no fixes in this story because there is nothing to fix, just new ways for Katie to interact with her world and an acceptance of herself. The story ends with the hope that that world will be kind to our main character and that, while her road may still be bumpy ahead, Katie is going to be okay.
Turning Twelve Vol. 2 By Kathryn Ormsbee Art by Molly Brooks Penguin Random House, 2024 ISBN: 9780593650066
Company Age Rating: 8-12
NFNT Age Recommendation: Middle Grade (7-11), Tween (10-13) Creator Representation: Lesbian, Character Representation: Lesbian, Obsessive Compulsive Disorder (OCD)
Twin sisters Sloane and Ash love to draw. For years, they have dreamed of becoming animators, working on movies like the Disney films they love. Now, at thirteen, they are taking the first step toward making that dream a reality: both girls have been accepted to a prestigious local animation summer program. Sloane is nervous, but she’s always nervous about starting new things and meeting new people. Ash can’t wait to learn from the pros—including the maker of her favorite animated movie, Monstrous.
Despite Sloane’s first-day jitters, both girls make friends at the program right away. But Ash soon finds herself struggling with the challenging animation assignments, and the creator of Monstrous isn’t the encouraging mentor figure she hoped for. Meanwhile, Sloane does well with the assignments, but is starting to question whether a career in animation is really what she wants. While Ash pushes herself hard to try and improve her craft, Sloane worries about how Ash will handle the idea of losing their shared goal.
The summer is teaching the twins a lot: about art skills, about different paths in animation (not all roads lead to Disney!), and about themselves. These discoveries are sometimes stressful, putting pressure on Sloane and Ash’s relationship. But if they listen to each other, their new friends, and an unexpected mentor from the animation program, then this could be a summer of exciting new possibilities.
These characters have a lot going on emotionally. Ash’s enthusiasm helps her connect to people, but can spiral into a stressful kind of overexcitement. Sloane struggles with discovering that art, her passion, feels more like a chore at animation camp. New friend Nisha used to bond with her grandmother over drawing, but is now losing that connection to her grandmother’s dementia. Two of the animation instructors provide an interesting contrast: Douglas Frye is has had exactly the kind of career Ash wants, working at Disney before starting his own studio. Ash is starstruck by him, but eventually comes to realize he’s an unhelpful teacher, a bit self-obsessed, and seems to unfairly favor male students over female ones. Film studies teacher Lisa Sato doesn’t have Frye’s celebrity sparkle, but she offers supportive advice and introduces her students to different styles of animation and career path possibilities.
Like author/illustrator Faith Erin Hicks, Sloane and Ash are aspiring young artists in Canada in what seems to be the 90s. (The exact year is never stated, but the characters watch VHS tapes, the newest film explicitly referenced came out in 1989, and anime is not yet mainstream in North America.) Hicks worked in the animation industry before switching to graphic novels, so she also has that experience to draw on (pun not intended but also not deleted) in creating the animation summer camp and its instructors.
The art style will be familiar to fans of Hicks’ work: a slightly cartoonified realism, expressive and dynamic, rich with detail. Given that animation is art plus movement, it is interesting to read a story centered on it in a medium that does not move. We see lots of drawing exercises from the summer program, like animating a bouncing ball or a person walking. We also see Sloane being introduced to anime, which she finds thrilling and inspiring in a time when she is struggling to reignite her passion for drawing. The book illustrates Ash and Sloane’s experience of spending a summer immersed in art.
Inbetweens shows us a fun, challenging, important summer in the lives of its young protagonists. It doesn’t tie up every little thing, like Ash’s trouble with overexcitement or Sloane’s questions about her future, but it ends in a happy and hopeful place. And after all, these characters are thirteen, so it makes sense that they don’t have everything figured out. Hand Inbetweens to fans of middle grade realistic fiction, especially those who like school stories or film and animation.
Inbetweens By Faith Erin Hicks Macmillan First Second, 2026 ISBN: 9781250838742
The bond between a boy and his dog is a special one that can last a lifetime. Building that tender relationship, however, takes considerable time and effort as demonstrated in Andy Hirsch’s (Science Comics series from First Second) Good Boy, a story of how one high-strung boy and his unpredictable dog learn to connect with each other and nurture a remarkable friendship.
Charlie is a middle grader who, when pressured into stressful situations, switches into panic mode and ends up barfing. This occurs right before a camping trip when he prepares to board the school bus. He stresses over packing only one toothbrush, which then explodes into a flurry of thoughts that sends him back home where he finds refuge under a blanket on the couch. To his surprise, his mom brings home a rescue dog named Ralph. Eager to befriend his new playmate, Charlie approaches Ralph only to be greeted with a ferocious growl. Slowly but surely, Ralph grows to trust Charlie and thus begins a budding relationship between the two. When Ralph unwittingly follows Charlie to school one day, the principal’s assistant suggests that Charlie teach him agility training lessons.
The two launch into a series of rigorous athletic trainings: From leaping through hoops and over hurdles, darting through tunnels, balancing on see-saws, and scaling up and down inclined ramps, Charlie and Ralph develop a bond built from mutual trust, patience, and calculated timing while fostering a social emotional connection that undergirds their relationship. Shaded panels and thought bubbles bombard Charlie during sudden episodes of social anxiety, balanced out by an expressive range of emotions and reactions from Ralph. At the heart of this endearing relationship lies a story of pushing through playful antics and obstacles that test the dynamics and gamut of their friendship.
Most poignant are the interpersonal subtleties that arise and evolve between the two as they navigate on a road paved with numerous obstacles—a partnership cultivated from the virtues of trust, patience, respect, and ultimately deep understanding of each other. A delightfully amusing addition to middle grade graphic novel collections, one that explores the psychology of pet ownership, Good Boy excels in capturing the struggles and mishaps of coping with social anxiety, mastering the art of pet training, building trust, and persevering through all the obstacles along for the ride.
Good Boy By Andy Hirsch Macmillan First Second, 2025 ISBN: 9781250291950
A political allegory for the rise of dictatorship all framed through the anxious lives of… some pigeons?
Street Noise Books delivers the English language edition of Pigeons! A Fable for Our Time from Marc Chalvin. The book opens boldly, introducing the reader to a vast number of hapless pigeons and the merciless crow who terrorizes and controls them.
The pigeons themselves are not known for complex thought. They eat poisoned seeds, walk in front of cars, and generally look for crow to give them instruction in every area of life. Simultaneously, the crow revels in this power, killing pigeons at will and toying with the living ones, safe in the knowledge that they will never object. Into this scene enters an idealistic seagull. She believes the pigeons are capable of more; the challenge is to convince them of that. The plan—stage democratic elections so that the pigeons can understand the concept of freedom and escape crow’s tyranny. The problem—the pigeons may prefer an iron claw to an uncertain world in which they make their own decisions.
While there is a clear narrative from start to finish, Chalvin balances story and character with a heavy emphasis on the political themes of the book. The pigeons often understand very little of what is happening around them, but the book intersperses debates between crow and seagull on topics such as democracy, control, and self-actualization which serve to bring the social and political topics to the forefront. In this way, things are a bit on the nose for readers who prefer subtler messaging. That being said, the book is far from a dry treatise on political thought. The pigeons banter and squabble, crow struggles to manage even the most basic interactions with the feathered populous, and seagull looks on in dismay as even the best intentions struggle in the face of reality. With dry humor and biting observations about humanity, Chalvin turns loose three factions in a struggle that feels immensely relevant to human history and the moment we live in today.
Chalvin’s art as well is simple, keeping the emphasis on the characters and the content over highly detailed scenes. With heavy line sketches and simple shading, there are stylistic touches of political cartoons while still allowing the book to take on its own shape and character. The wide-eyed pigeons are often indistinguishable, but Chalvin still imbues them with life amidst their fear and their naive joy as they wander their way through each new day. Most pages are broken into a simple four-panel layout while occasional scenes are given more space for detail and emphasis as key moments unfold at a larger scale. It’s a style that serves well, as Chalvin takes the simple visuals and fills them with personality and meaning.
There is some semi-graphic animal death throughout the book that is mitigated by both the style and the ironic humor that define the book. While the themes and questions are important, younger readers are likely to bounce off of this in favor of less overt political explorations. However, for older teens who are interested, and definitely for adults, Pigeons! is packed with sharp messaging and enough lingering complexity to give the reader something to contemplate once the book is done—rather than tying everything off in a bow that invites no further exploration. As a piece of social and political commentary, Chalvin delivers an excellent and tightly told fable here, and it’s a worthy addition and warning for any readership inclined to sit with it. And for any space looking to teach on the ideas the book contains, Pigeons! offers a very palatable entry point into subjects that can sometimes be dry in a purely academic context. In short, it’s not for everyone, but it’s a book well worth picking up for the right audience and an important book to see on shelves today.
Pigeons! A Fable for Our Times By Marc Chalvin Street Noise Books, 2025 ISBN: 9781951491505
NFNT Age Recommendation: Adult (18+), Older Teen (16-18) Creator Representation: French,
Amy spends most of her time absorbed in mystery novels. Severe social anxiety makes it hard for her to connect to her middle school classmates. She’s working on it with a therapist, but so far Amy is still too nervous to try talking to her peers or raising her hand in class. And that’s before she freezes up during her science presentation and runs to hide in the bathroom.
The next day, Amy is so embarrassed and nervous, she tries extra hard to avoid talking to anyone. So naturally, she’s flustered when her classmate Reagan unexpectedly hands her a birthday party invitation. Amy doesn’t know Reagan well, and she’s terrified that she could embarrass herself in front of everyone, or even ruin the party. But on the other hand, this could be a chance to actually connect with some classmates. And it’s a murder mystery party! Can mystery lover Amy really pass that up?
At the party, Amy discovers that when she’s caught up in the mystery game—and in playing her in-game character, a scientist named Millie—her social anxiety fades away. After all, Millie wouldn’t be nervous about speaking up and being noticed. As she and the other kids interact both as their characters and as themselves, Amy starts to feel more comfortable. Reagan and her friends seem really nice. But the murder mystery game grows tenser, suspicion begins to fall on Millie, and Amy’s anxiety rises again. Can she solve the mystery? How will her new friends react if she freezes up?
This book uses the fun scenario of a murder mystery game – plus a group of sympathetic peers – to help anxious Amy come out of her shell. We follow Amy closely, seeing her thoughts and fears: the panicky physical sensations that accompany her social anxiety, her worries about being judged by other kids, and the ways she strategizes to avoid stressful situations. We even see some of the techniques her therapist teaches her to help her calm herself. By the time she gets the party invitation, her social anxiety is well-established, as is her love of mystery novels, inviting the reader to root for Amy to let her passion lead her rather than her fear.
The mystery game sees Amy, Reagan, and three other kids playing adults in a Clue-style manor, trying to determine which of them committed a murder. All the kids are enthusiastic and seem goodhearted, and they have some fun silly moments that make them feel like real kids, like when they break from the game for snacks and compete over who can stuff more pizza bites in their mouth. This works especially well when Amy eventually tells the others that she has social anxiety. They are supportive without being unrealistically mature: they offer sympathy and understanding, but then—like real kids—they quickly jump topics, from anxiety to eczema to poison oak, leaving Amy to marvel that her freeze-up didn’t ruin the party at all.
The visuals effectively illustrate Amy’s headspace. When she starts getting anxious, the background and other characters go from full color to grayscale. This keeps the focus on Amy and her thought bubbles, making it clear that she is stuck in her head and feels removed from the world around her. When Amy and the other kids at the party are immersed in the mystery game, they are drawn as their characters, who are adults but look enough like their real selves to be recognizable. Reagan’s house becomes an elaborate manor, with lavish settings like a library and formal dining room. Throughout, the characters are soft and cartoony, the colors rich. The book is divided into ten chapters, with each one marked by a page patterned like fancy wallpaper.
This is a sympathetic and optimistic story of Amy learning that social anxiety doesn’t have to make her miss out on life. Hand it to fans of realistic fiction and gentle mysteries.
Millie of the Manor By Karina Evans Art by Andrea Bell Harper Collins Harper Alley, 2025 ISBN: 9780063282483
Company Age Rating: 8-12
NFNT Age Recommendation: Middle Grade (7-11), Tween (10-13)
Welcome to Rigsby, WI, where you will find a bit of early 2000s nostalgia and a whole lotta flannel. It’s an interesting slice of life from the days before technology was everywhere, and teens still spent their days hanging out in their friends’ backyards. These characters here are just so lovably relatable, readers will definitely be seeking out the webcomic where they originated in order to hang out with them more.
While Beth’s mom is the absolute worst, her aunt and all her friends make up for it – we join them mid-basketball game in the backyard, where they are trash-talking each other. It’s a typical small town, where the kids hang out in the mushroom-laden forest to get high or spend time just driving around, stopping for pancakes or thrift store shopping. Much of the drama of this first installment centers around a Homecoming dance. Jeordie and his goth girlfriend, Jenna, are going together, and he’s bummed he has to wear a suit; Beth decides to go with her friend, Anna, just for fun – but then can’t find a dress that fits; and Erik has asked his friend and crush, Pam to go with him but she has only said “maybe.”
It sounds quite mundane, but S.E. Case has created characters who feel multidimensional and talk like real teenagers. Besides the lighter issues surrounding the upcoming dance, this group of friends is also tackling more troubling and darker issues, like racism, mental health, and abuse. The pacing is quick, and their story is engrossing, mostly because they will remind adult readers of their own youth – smoking, feeling disappointed in adults, and trying not to care what other people think of them (even though they obviously do). Rigsby, WI’s color palette has a vibrant autumnal aesthetic – accentuating the oranges, browns, and reds – while incorporating a lot of that grungy-era grit to the characters’ clothing and overall look. Case expertly conveys a range of emotions through character facial expressions, too. The general tone is quiet and earnest, but there’s also a good bit of humor to balance it out. Since this is the first in a series, many parts of the story hint at issues that may be developed in future issues
Most reminiscent of friendship and coming-of-age stories like Pumpkinheads by Rainbow Rowell and The Greatest Thing by Sarah Winifred Searle, Rigsby, WI, is distinguished by a wide and varied cast of characters. Mature themes in the story make it best suited for older teen readers, but I think adults (especially those whose adolescence fell within the early post 9/11 years) are going to enjoy this one, too.
Rigsby, WI Vol. 1: Foothold By S. E. Case Iron Circus, 2025 ISBN: 9781638991410
NFNT Age Recommendation: Adult (18+), Older Teen (16-18)
Echoes of October is built around a simple yet difficult question. The sort of question that children often ask and adults wish they could answer.
Why can’t we just get along?
That question is asked around the world in many ways and many languages. Yet it has taken on a particular vibrancy within the Middle East and especially regarding the Gaza conflict. This is the focal point of Echoes in October, which builds to the Hamas attack on Israel on October 7, 2023.
The story is told through the eyes of four children. All of them are 11 years old, but all of them were born of drastically different circumstances. Jannah is a Muslim girl from Gaza City. Amir is a Druze boy from Daliyat-al-Karmel. Lily is a Canadian Evangelical Christian, born in Toronto but recently relocated to Kibbut Kfar Aza. Eli is a Jewish boy from Tel Aviv. The children do not meet as a group over the course of the novel, though Eli and Amir are cousins. Lily and Jannah also meet briefly, as Lily’s father works as a volunteer driver who escorts Jannah into Israel for medical treatment.
However, despite its setting, Echoes of October plays out as a slice-of-life comic rather than a political thriller. The story remains firmly focused upon the children and their individual issues. This drives home their common ground and makes them more relatable to the young readers for who Echoes of October was written.
Eli, for instance, is worried about his parents talk of moving away from Israel. Their only concern is the safety of their family and what the threat of war may do to Eli. Yet Eli’s biggest fear is moving away from his friends, his school, and everything he knows. This is counterbalanced by the story of Lily, who has already undergone this trauma. She misses her friends in Canada and worries that her dream of being the next Taylor Swift may be short-circuited by moving halfway around the world.
Amir, an aspiring comic creator, has similarly big dreams of creating the first Druze superhero – a Captain America figure modeled on his soldier father. Unfortunately, most of his family have no use for his art and intend to put him to work in their restaurant instead of letting him continue school. Jannah also has issues with her family, for she has dreams of becoming a politician and bringing peace to the region so the people around her can be happy. Unfortunately, the people calling for violence on both sides are so much louder and so many refuse to listen to women, let alone girls.
Echoes of October does not pretend there are any easy answers. It does, however, offer one of the most heartfelt and well-structured introductions to the conflict in Gaza and how there is more than one side involved in the conflict. While the artwork and language used by Ami Adan are simple, they deliver a powerful idea that ultimately boils down to that one big question.
Why can’t we just get along?
Echoes of October is recommended by the author for readers 10 and up. This is a fair rating, as there is no objectionable content to be found here. Doubtless some will object to the idea of a children’s graphic novel that discusses the conflict in Gaza sight unseen. Yet this book is not entirely about that conflict. It is about four young people struggling to cling to some sense of normalcy in an increasingly angry world. That is something that all too many of us can related to in modern times and why I would recommend this graphic novel to readers of all ages rather than just children.
Echoes of October By Ami Adan Self-Published, 2025
Company Age Rating: 10+
NFNT Age Recommendation: Adult (18+), Older Teen (16-18), Teen (13-16), Tween (10-13) Creator Representation: Israeli, Palestinian, Jewish, Muslim, Character Representation: Canadian, Israeli, Palestinian, Jewish, Muslim, Protestant ,
When Cassie, a fourth grade girl, thinks she’s won a grand prize from a mail flyer, she finds herself excited to share this fabulous feeling with her family, best friend, and favorite teacher. But as she is confronted with new big feelings (e.g. a classmate coming between Cassie and her best friend, everyone telling her she’s too sensitive, she didn’t really win any prizes), Cassie can no longer rely on her usual methods to find her way back to the wonders of life. Eventually, she is able to put some of the advice she is given into practice and starts communicating her feelings to her friends and family and works to find balance between her feelings and theirs.
This book does an excellent job of describing big feelings at a young age when you don’t understand where those feelings are coming from or how to talk about them. The fact that it has gorgeous illustrations adds to the appeal since words to describe feelings can be hard. Kids will be able to relate to the (slightly) fantastical depictions of everyday occurrences of wonder. This is a must in every library where kids can experience it and find a way out of their own big feelings. There’s no nudity, adult language, or romantic relationships depicted or discussed. Use it in your classroom or programming to talk about depression, feeling overlooked, friendship, or communication.
Dream On By Shannon Hale Art by Marcela Cespedes Macmillan Roaring Brook, 2025 ISBN: 9781250843067
At the end of the summer, siblings Evan and Jessie will both start fourth grade. Evan is right on schedule, while his gifted little sister Jessie is skipping a grade. The problem is, their school only has one fourth-grade classroom. Evan and Jessie are close, but Evan fears that being in the same class will make it obvious that his little sister is, in some ways, smarter than he is. So while Jessie is looking forward to school starting, Evan is dreading it.
Jessie—brilliant with academics but not so much with social skills – can’t see why Evan would be upset, which just upsets him more. Now, Evan doesn’t want to hang out with Jessie for what’s left of the summer, so he ditches her to set up a lemonade stand with another neighborhood kid. Jessie is hurt, but thinks maybe if she starts her own lemonade stand, she can impress Evan and make him want to hang out with her again.
Instead, the lemonade stands become a fierce competition, which spirals until Evan and Jessie make a bet: whoever earns more money by the end of the summer gets both of their profits. It’s Jessie’s math and business smarts versus Evan’s doggedness and people skills. Who will win? And will Jessie and Evan ever work things out between them, or will their closeness be a casualty of the lemonade war?
This graphic novel adapts the 2007 book The Lemonade War, the first of a series, which garnered a list of awards and positive reviews. Like the original, this adaptation gets its tension and momentum from Evan and Jessie’s sibling rivalry, but also slips in some math and lots of basic economics concepts, all explained in an accessible way for young readers. Jessie calculates profit margins and tries out the value-added tactic of offering free pretzels at her stand; Evan runs afoul of local business regulations when he starts selling lemonade on public property downtown without a license. As they try to out-maneuver each other, Evan and Jessie use business strategies including underselling, advertising, and even franchising.
Jessie and Evan are very different, but both sympathetic and interesting. Thought bubbles provide lots of information on their interior lives, showing readers when there is a miscommunication, something Jessie doesn’t understand, or something Evan thinks but isn’t willing to say. Flashbacks help explain their motivations and illustrate how close the siblings normally are. While no diagnosis is ever mentioned, Jessie seems coded as perhaps being on the autism spectrum: she takes social interactions at face value and is often confused when people are not straightforward, and one page shows her looking at a chart of facial expressions labeled with different emotions.
The art is clear, with a slightly cartoonified realistic style. Panel sizes and layouts vary, adding visual interest. The backgrounds are fairly simple, keeping the focus on the characters and what they are doing – including, occasionally, working out lemonade-related math, which is laid out for readers to see. When a flashback begins, the panel outlines change from having black outlines and sharp corners to brown outlines and rounded corners, and all the colors take on a slightly muted look, like a subtle version of the sepia tone in old photos.
This book has sympathetic characters who feel like real kids. It packs in a lot of kid-friendly economics concepts, but its driving force remains the relationship between Evan and Jessie. Hand it to kids who like realism and good-hearted young characters trying to navigate family and friend conflicts – and to fans of stories about kid entrepreneurs, like the Baby-Sitters Club.
The Lemonade War By Jacqueline Davoes Art by Karen De la Vega Harper Collins Harper Alley, 2025 ISBN: 9780063310384
but finding yourself overwhelmed at the prospect? Aron Nels Steinke’s Speechless is a middle grade graphic novel about Mira, a sixth grader who can’t always find her voice and what she wants to say, no matter how hard she tries at it.
stakes. It’s easy to make even a straightforward coming of age tale a BIG story with the angst, drama, and anxiety of even the most bog standard puberty. What’s hard is telling an entertaining small story, one that feels honest and real and intimate, something that at once feels universal and unique. Turning Twelve by Kathryn Ormsbee and illustrated by Molly Brooks is a small story. And it is completely lovely.
films they love. Now, at thirteen, they are taking the first step toward making that dream a reality: both girls have been accepted to a prestigious local animation summer program. Sloane is nervous, but she’s always nervous about starting new things and meeting new people. Ash can’t wait to learn from the pros—including the maker of her favorite animated movie, Monstrous.
considerable time and effort as demonstrated in Andy Hirsch’s (Science Comics series from First Second) Good Boy, a story of how one high-strung boy and his unpredictable dog learn to connect with each other and nurture a remarkable friendship.
classmates. She’s working on it with a therapist, but so far Amy is still too nervous to try talking to her peers or raising her hand in class. And that’s before she freezes up during her science presentation and runs to hide in the bathroom.
Welcome to Rigsby, WI, where you will find a bit of early 2000s nostalgia and a whole lotta flannel.
Echoes of October is built around a simple yet difficult question. The sort of question that children often ask and adults wish they could answer.
feeling with her family, best friend, and favorite teacher. But as she is confronted with new big feelings (e.g. a classmate coming between Cassie and her best friend, everyone telling her she’s too sensitive, she didn’t really win any prizes), Cassie can no longer rely on her usual methods to find her way back to the wonders of life. Eventually, she is able to put some of the advice she is given into practice and starts communicating her feelings to her friends and family and works to find balance between her feelings and theirs.
Jessie is skipping a grade. The problem is, their school only has one fourth-grade classroom. Evan and Jessie are close, but Evan fears that being in the same class will make it obvious that his little sister is, in some ways, smarter than he is. So while Jessie is looking forward to school starting, Evan is dreading it.
