Shaken from the accidental death of her sister Maura, the grief-stricken Doctor Frances Ai vows to bring her back to life with all the scientific and magical power at her disposal. And it works. . . supposedly. The being that rises from the slab has no memory of Maura’s life, nor does she share any of her interests or quirks. This is someone entirely new, though Frances is willing to do anything to bring her sister fully back, even if that means taking the new being apart and trying again.

Fearing her own unmaking, the creation, who deems herself M, attempts to slip into Maura’s old life, aided by Maura’s spirit still wandering among the house’s mirrors, visible only to M. However, that life comes with Frances’ high expectations, ones that M has no interest in pursuing as she discovers her own passions and desires. Once masquerading as Maura starts taking its toll, M must decide who she wants to be, her own person or the pale shadow of someone else. Talia Dutton’s Frankenstein-inspired debut, M is for Monster, expertly navigates through the topics of grief, self-discovery, and the importance of self-expression, as M strives to become the most comfortable and authentic version of herself.

M’s journey with forging her identity, Frances’s struggle with her grief and guilt, and Maura’s frustration of having to live vicariously through M give the story a resonating and relatable weight. Each character receives just enough focus for their arcs to develop and conclude satisfyingly, while also having their own moments to shine and make their mark on readers. M, with her hiccups of having to adjust to life in general, Frances’s overexuberance towards science, and Maura’s wit and dry attitude all add a lighter side to the story, allowing it to breathe in its more relaxed moments. Personally, I found myself invested the most in M’s progression, which naturally lends itself to a queer allegory. While not explicitly queer herself, M goes through many experiences that one does when first discovering that part of themselves: the uncomfortable nature of having to put on a persona to conform to others’ expectations, of trying to distance oneself from a past version of themselves, and finding oneself growing beyond the vision other people have of them. In the end, it becomes a lesson in allowing one to be themselves for their own benefit, something M tries to come to terms with over the course of the comic.

Along with this allegory, there is some LGBTQ+ representation in the form of Frances’s partner, Gin, who goes by they/them pronouns, and their neighbors who are in a sapphic relationship, all of which are normalized.

With a calm, cool palette of white and teal, the comic exudes a sense of thoughtfulness and reflection that distinguishes it from the more horror-based aspects of its story. It reminded me somewhat of Bloom, a comic that, while completely different in terms of plot, utilizes a similar coloring motif to enhance the mood and atmosphere of each panel. In Dutton’s work it serves as an emotional hook for the reader, pairing well with the paneling that becomes an additional storytelling device. There are multiple instances in which the layout of a scene provides subtle indications of developing character dynamics or adds subtext to the overall plot and character motivations. A spread that particularly stands out is a page of Frances and M conversing, with Maura appearing in a bubble to the side, slowing inching closer and closer with each panel as a result of her speaking through M, until she is completely between them with M uncomfortably pushed to the side as Maura’s influence becomes more prevalent. In a scene with no dialogue, it speaks volumes to M’s plight, perfectly summarizing the overall conflict of the story.

M is for Monster will no doubt please readers who enjoy engaging, emotional stories with an evocative art style and a smidge of the grotesque. Due to its more mature handling of these themes, this title is most suitable for audiences 14 and up. Librarians and educators who have a high circulation of character-driven and low sci-fi titles and aim to include more representative and diverse materials should consider purchasing this title.

M is for Monster
By Talia Dutton
Abrams, 2022
ISBN: 9781419762208

Publisher Age Rating: ages 13-17

NFNT Age Recommendation: Adult (18+), Older Teen (16-18), Teen (13-16)
Creator Representation: Chinese-American, Bisexual
Character Representation: Assumed Asian, Lesbian, Queer, Nonbinary

  • Robin E.

    | they/them Technical Services Associate

    Reviewer

    From their humble origins as a Teen Volunteer at their local library, Robin currently works as a Technical Services Associate at the Barrington Area Library, ordering and processing each book that comes into the collection. A proud alumni of the University of Illinois at Urbana-Champaign’s Library Sciences Program, Robin aims to serve the young adult population of the community by supplying representative and engaging materials and establish the library as a queer-friendly space. Comics have been of a passion of theirs from a young age, due to their diverse storytelling opportunities and ability to amplify and include underrepresented voices. When not adding more comics to their ever-growing book hoard, they can be found expanding their extensive enamel pin collection, working on a new cosplay, or bingeing theme park history videos.

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