If you’ve ever had a disagreement about history, you’ve probably heard the phrase, “It was a different time.” On its face, this is a factual statement—people in the past didn’t share our values, and understanding their worldviews requires patience and curiosity.
Yet “it was a different time” is often hauled out to excuse bad behavior—as if all people in the past shared the same mindset, rendering them constitutionally incapable of recognizing cruelty or unfairness. David Lester’s Prophet Against Slavery debunks this commonplace with the true story of an early Quaker activist who articulated a moral case against slavery decades before the emergence of the white abolitionist movement.
Adapted from Marcus Rediker’s 2017 book The Fearless Benjamin Lay: The Quaker Dwarf Who Became the First Revolutionary Abolitionist, Lester’s graphic biography depicts the life of the little-known Lay, who protested slavery at a time when it was neither politically expedient nor socially acceptable to do so. Born in Britain in 1682 and radicalized against slavery during a stint in Barbados, Lay migrated with his wife Sarah to Philadelphia in 1731. Incensed that enslavement was practiced by Philadelphia’s Quaker elite, Lay made it his business to call out Quaker hypocrisy around the institution of slavery.
Benjamin Lay’s activism debunks a second misconception: that protest through direct action was an invention of the twentieth century. In the opening scene of the book, Lay strides into a Quaker meeting, proclaims the evils of slavery, and plunges a sword into a book titled HORRORS OF SLAVERY, spewing fake blood (pokeberry juice) everywhere. Unsurprisingly, a tussle ensues. Born with dwarfism and a curved spine, Lay’s physical difference was probably a factor in the solidarity he felt with other disadvantaged people, while his egalitarian philosophy emerged from his Quaker faith and an early life at sea. His forceful speech and public protests were forever getting him kicked out of Quaker meetings, and later life found him living in a cave outside Pennsylvania, adopting a vegan diet and spinning his own clothing out of flax.
Lester’s grayscale art has a hand-drawn quality that owes something to both old-fashioned printmaking and zine culture—lively and not overly refined, it suits the biography of a man whose politics were fundamentally punk rock. The artist is careful not to caricature Benjamin and Sarah’s dwarfism, and images of the enslaved in shackles—and in one painful image, completing an act of suicide—are sensitively rendered.
Yet wordless images depicting the barbarity of slavery point to a structural problem underlying this book: this story is about slavery, but Black voices are missing from the narrative. Was Lay speaking to enslaved Africans as well as speaking for them? The text is vague: Lay refers to his “dear friend Cudjo,” and states “I have talked with a great many Africans,” but we don’t see these conversations on the page. I counted just one line of dialogue spoken by a character of African descent.
There are obvious reasons that Lay, a white man, would be unable to form meaningful relationships with Black Philadelphians. By the end of the 18th century, Philadelphia would be known for its sizable free Black community, but this was not the case in 1731. Yet I would have liked this book to show more curiosity about the absence of Black voices from the primary sources documenting Lay’s life. We can and should wonder: what was it like to be an enslaved African in 18th-century Philadelphia? What might enslaved onlookers have made of Lay’s theatrical protests and the Quaker elites’ ruthless response?
In Lester’s telling, Quaker attitudes around slavery had begun to shift by the time of Lay’s death in 1759. This, too, is a narrative I would have liked to see Prophet Against Slavery develop more fully—the story of how Benjamin Lay was remembered and then forgotten, and his lasting impact on Quaker political philosophy. Social movements are propelled by communities as well as individuals, and I was sorry that the tight focus on the biographical details of Lay’s life didn’t leave more room for this kind of big-picture analysis.
Despite these caveats, this book is a solid introduction to Benjamin Lay’s remarkable life. It will be of interest to older students and adult readers and is suitable for library collections that emphasize the history of slavery, Quakers, and radical politics.
Prophet Against Slavery: Benjamin Lay: A Graphic Novel Vol.
By David Lester
Beacon Press, 2021
NFNT Age Recommendation: Adult (18+), Older Teen (16-18)
Creator Representation: Canadian, , Character Representation: British-American, Disability, Protestant ,