The year is 2009 and robot evolution has just entered the Nexus phase, with robots that can pass for human becoming more and more commonplace on Earth. The Tyrell Corporation, manufacturers of the Nexus 4, are justly proud of their achievements and have money and power aplenty. Money and power enough, at least, to make the LAPD stand at attention when they ask for a detective to come in and fast-track an investigation into the death of one of their scientists, confirming their belief that she committed suicide.
Enter Cal Moreau, one of the few honest cops left in a dishonest world, who joined the LAPD to try and make the slum he grew up in a safer place. Already on the outs with his bosses, Moreau is an ideal patsy for a job that could quickly send heads rolling. Unfortunately, there are too many details that don’t add up: a brother who insists there is no way his sister would ever kill herself, a lab assistant who knows more than she is saying, and indications that the Tyrell Corporation’s next model, the Nexus 5, may have escaped and started turning upon the humans that created it.
Titan Comics’ exploration and expansion of the world of Blade Runner continues, this time taking a trip into the past and exploring the world before robots became illegal on Earth and the first Blade Runners began hunting Replicants hiding among the human population. This prequel series perfectly captures the aesthetic of the original films in both its story and its artwork.
Cal Moreau is an immediately strong protagonist, cut from the same hard-boiled cloth as Harrison Ford’s Rick Deckard. He is notable for having a sick sister in a coma, whom he visits and reads to on a regular basis. It is hinted that he’s gay, as he frequents a bar run by a drag performer named Divina, who chases away a woman who flirts with Cal, saying that she couldn’t “let the poor girl go on thinking you have time for her. Or money.” Despite this, Cal doesn’t show much interest in men or women. Instead, he’s married to his work and the duty he feels he has to save lives, having joined the force after serving in the military, and still suffering PTSD flashbacks from his time in space.
The artwork by Fernando Dagnino suits the film noir feel of the story and of the original films, with quite heavy inks. The colors by Marco Lesko are also duller than one might expect given the vibrant neon hues employed throughout the movies. Despite this, every panel of this book feels true to the core aesthetic of Blade Runner. This is sure to please fans of the original movie and purists like myself, who might doubt the ability of a comic book to match the tone of the film.
Blade Runner: Origins is rated 15+ for Older Teens and I feel that is a fair rating, if a bit conservative. The action of this book is intense, but there is surprisingly little bloodshed. There are some disturbing images and several on-page deaths, but most of what is seen would probably make the cut for a Teen-rated manga. There is also little sexual content, apart from one scene with implied nudity where everything is concealed in the shadows.
Blade Runner: Origins
By K Perkins, Mellow Brown, Mike Johnson, Michael Green
Art by Fernando Dagnino
Publisher Age Rating: 15+
Related media: Movie to Comic
NFNT Age Recommendation: Adult (18+), Older Teen (16-18)
Character Representation: African-American, Gay, Post-Traumatic Stress Disorder